The Imaginary Museum

Tracey Slaughter I'm delighted to announce that an agreement has been reached between Dr Tracey Slaughter , Senior Lecturer in Cre...

Joseph Severn: Shelley at the Baths of Caracalla (1845) “Now my summer task is ended,” wrote Shelley, as he reclined in a rowboat, ha...

Cover image: Karl Chitham / Cover design: Anna Brown Poetry NZ Yearbook Editor: Jack Ross (Volume 2 [Issue #50], November 2015) I...

Lounge 47 The latest in the long series of LOUNGE readings in Old Government House, Auckland University. Here are the details of th...

Cover image: Renee Bevan / Cover photograph: Caryline Boreham / cover design: Ellen Portch & Brett Cross POETRY NZ LAUNCH As p...

Sir Neil Waters Building (Massey Albany) POETRY NZ LAUNCH As part of Massey University’s Writers Read series, we are proud to laun...

Alistair Paterson, ed.: Poetry NZ 22 (March 2001) I'm happy to announce that, at a meeting at Massey University's Albany Camp...

When the Russian critic Vissarion Belinsky stumbled across Byednie Lyudi [Poor Folk], Dostoyevsky's first novel, he was so overwhelmed...

For this week's post I thought I'd reprint a review which Alistair Paterson commissioned for Poetry New Zealand [33 (2006): 96-101]...

[photograph: Simon Creasey (2005)] Coromandel Es ist Zeit, daß es Zeit wird – Paul Celan, “Corona” bird stalks by 5-fingered sky Sunday in t...

[photograph: Jack Ross (2006)] A Sunday Walk Heteroglossia is as close a conceptualization as is possible of that locus where centripetal an...