Showing posts with label Daniela Gast. Show all posts
Showing posts with label Daniela Gast. Show all posts

Monday, July 01, 2024

My new book Haunts is available today!


Unpacking Copies of Haunts (27/6/24)
[photograph: Bronwyn Lloyd


The official publication date for my new collection of short stories, Haunts, is today, Monday 1st July, 2024.


Cover image: Graham Fletcher (by courtesy of the artist) /
Cover design: Daniela Gast (2024)


As you can see, it does bear a certain resemblance to my previous collection, Ghost Stories, also published by Lasavia Publishing five years ago.



Cover image: Graham Fletcher (by courtesy of the artist) /
Cover design: Daniela Gast (2019)


Once again, it's been a great pleasure to work on the book with the Lasavia team: editor Mike Johnson, and designers Daniela Gast & Rowan Johnson. Again, just like last time, I owe a big thank you to Graham Fletcher for the use of his cover image, and (as ever) to my brilliant wife Bronwyn Lloyd for invaluable advice at every stage. Thanks, too, to Tracey Slaughter for her comments on the typescript at a crucial point of the process.






So what is the book about? The easiest thing might just be to quote from the blurb:
'As Jack Ross stated in his latest collection Ghost Stories, ‘We’re most haunted by that which we’ve worked hardest to deny and eradicate from our lives.'
- Brooke Georgia, Aubade (2022)
What do we actually mean by the word haunt? In this new set of stories inspired by the term, Jack Ross invokes a series of his favourite haunts via voices from the past, beginning with Samuel Butler’s Erewhon and concluding with Emanuel Swedenborg.
In between he visits with Irish ghost-story maestro Joseph Sheridan Le Fanu, along with others ranging from James Joyce to H. P. Lovecraft – not to mention Scheherazade herself, creator / narrator of The 1001 Nights.
Most importantly of all, perhaps, he tries to settle accounts with his own father, the architect of a vast entangled empire of native bush and weeds at the back of their suburban quarter-acre section in Mairangi Bay.
The book ends with the novella Cartographies of the Afterlife, an exploration of the penumbra between life and death, based on accounts from recent visitors.
In the immortal words of Bette Davis: ‘Fasten your seatbelts, it's going to be a bumpy night.’

Jack Ross is the author of six poetry collections, four novels, and four books of short fiction. His previous collection, Ghost Stories (Lasavia, 2019), has been prescribed for writing courses at three local universities. He’s also edited numerous books, anthologies, and literary journals, including (most recently) Mike Johnson’s Selected Poems (2023).
He blogs at http://mairangibay.blogspot.com/.


Brooke Georgia: Aubade (26/3-17/4/2022)


The quote featured above comes from the catalogue for Brooke Georgia's solo exhibition Aubade, at Public Record in Ponsonby.



Another vital question is how you can obtain a copy of the book? We're planning a booklaunch a bit later in the year, but in the meantime, if you'd like to order one online, it's available from the following websites:





Should you buy a copy? Well, obviously, that's between you and your conscience, but I'll conclude by quoting a few extracts from the Lasavia manifesto, written by Waiheke poet and novelist Mike Johnson:
‘When Leila Lees and I first considered establishing Lasavia Publishing, less than one in a hundred manuscripts submitted to publishers reached publication. ... Manuscripts submitted to publishers were, and still are, routinely returned unopened. ‘Mechanisms of exclusion’ as Foucault called them, are rife in the present publishing climate, particularly in New Zealand.

... Publishers distrust the wild card, that which might put readers too far out of their comfort zones, as if comfort was somehow the purpose of literature. Both writers and readers lose out. Real grass roots work is lost or supplanted by celebrity culture. Only indy publishers, who don’t have to carry the overheads of big publishers, will be light enough on their feet to thrive in the new publishing environment."
Recent books issued by Lasavia include Max Gunn's Paybook, a novel by Graham Lindsay; Aucklanders, a collection of stories by Murray Edmond; and Mike Johnson's own Selected Poems, fruit of five decades' work in the medium.




Isabel Michell: Luigi checks it out (1/7/24)


Thursday, December 12, 2019

Mike Johnson & Leila Lees - Booklaunch on Waiheke Saturday 14th December



Mike Johnson & Leila Lees: Ladder With No Rungs



Booklaunch

Mike Johnson & Leila Lees:
Ladder With No Rungs
Community Room - Waiheke Library.
Saturday 14th December @3 pm.

ALL WELCOME




Mike asked me to come along on Saturday to say a few words about his new book, but unfortunately I'm unable to make it. Once before, in 2007, I did make the trip to Waiheke to speak about one of his books of poetry, and this is what I had to say on that occasion.

That was a lot of years ago, though. Since then his rate of production has, if anything, increased - as you can see from the bibliography I've included below. Nor has he allowed himself to be pigeon-holed as a novelist who occasionally writes poetry (or, for that matter, as a poet who's gone over to prose ...). Both modes seem equally natural to Mike, and he's continued to produce distinguished work in each genre.

I'm told that there's a substantial new novel in the offing, and I'm very much looking forward to reading that. In the meantime, though, this latest book of poems seems quite ambitious enough. The poems themselves are short, "haiku style" verses charting the way of a soul in the world and (in particular) through relationships with nature and with each other.



Ladder With No Rungs: Blurb


Leila Lees' graphic works do indeed seem like the perfect accompaniment to Mike's words. The book would be well worth having just for those, in fact. There's yet another technical innovation - albeit quite a light-hearted one - to recommend it, though. I'm referring to the final section, where lines and words surplus to the main text have been presented in a graphic extravaganza of colour and experimental form.

This is what Mike had to say about this part of the book on Facebook (25/9/19):



Ladder With No Rungs: Rejects (1)

What qualifies a poem as a reject? My next book of poetry, LADDER WITH NO RUNGS is in preparation, with the last section entitled REJECTS. Instead of the rejects going into the trash, I suggested to Daniela Gast, our book designer, that she 'mangle them up' in contrast to the rest of the book. Like you'd screw up a piece of paper. And what a wonderful result she achieved. So these are my words, suitably mangled, Leila Lees' art work, suitably mangled, and the work of Daniela, Mangler in Chief. Enjoy!


Ladder With No Rungs: Rejects (2)


I hope that everyone who's able to attend has a wonderful time. I'm sure they will. Though I can't be there in person, I'll certainly be lifting a glass to Mike and Leila in spirit. This is probably the most delightful books of poems I've read this year - moreover, it's a truly collaborative work between artist, designer and poet, something much rarer than it should be.

Lasavia Publishing is quitting the year 2019 in style. Bring on 2020, and the bumper crop of new books it no doubt has in store for us!

on the seventh hour they lay down
to rest
their words hung in the ruby air

first ever dawn chorus
making a fuss

[Ladder With No Rungs, p.24]




Mike Johnson

Mike Johnson

Select Bibliography:


    Poetry:

  1. The Palanquin Ropes. Wellington: Voice Press, 1983.
  2. From a Woman in Mt Eden Prison & Drawing Lessons. Auckland: Hard Echo Press, 1984.
  3. Standing Wave. Auckland: Hard Echo Press, 1985.
  4. Treasure Hunt. Auckland: Auckland University Press, 1996.
  5. The Vertical Harp: Selected Poems of Li He. Auckland: Titus Books, 2006.
  6. To Beatrice Where We Crossed The Line. Auckland: Second Avenue Press, 2014.
  7. Two Lines and a Garden. Illustrated by Leila Lees. Auckland: Lasavia Publishing, 2017.
  8. Ladder with No Rungs. Illustrated by Leila Lees. Auckland: Lasavia Publishing, 2019.

  9. Fiction:

  10. Lear: the Shakespeare Company Plays Lear at Babylon. Auckland: Hard Echo Press, 1986.
    • Lear: the Shakespeare Company Plays Lear at Babylon. Auckland: Lasavia Publishing, 2016.
  11. Anti Body Positive. Auckland: Hard Echo Press, 1988.
    • Zombie in a Space Suit. Auckland: Lasavia Publishing, 2018.
  12. Lethal Dose. Auckland: Hard Echo Press, 1991.
    • Lethal Dose. Auckland: Lasavia Publishing, 2019.
  13. Foreigners. Auckland: Penguin, 1991.
  14. Dumbshow. Dunedin: Longacre Press, 1996.
  15. Counterpart. Auckland: Voyager, 2001.
  16. Stench. Christchurch: Hazard Press, 2004.
  17. Travesty. Illustrated by Darren Sheehan. Auckland: Titus Books, 2010.
  18. Hold my Teeth While I Teach you to Dance. Auckland: Lasavia Publishing, 2014.
  19. Back in the Day: Tales from NZ’s Own Paradise Island. Auckland: Lasavia Publishing, 2015.
  20. Confessions of a Cockroach / Headstone. Auckland: Lasavia Publishing, 2017.

  21. For children:

  22. Taniwha. Illustrated by Jennifer Rackham. Auckland: Lasavia Publishing, 2015.

  23. Non-fiction:

  24. The Angel of Compassion. Auckland: Lasavia Publishing, 2014.






Leila Lees

Leila Lees

Select Bibliography:


  1. Mike Johnson: Two Lines and a Garden. Illustrated by Leila Lees. Auckland: Lasavia Publishing, 2017.
  2. Into the World: A Handbook for Mystical and Shamanic Practice. Auckland: Lasavia Publishing, 2019.
  3. Mike Johnson: Ladder with No Rungs. Illustrated by Leila Lees. Auckland: Lasavia Publishing, 2019.




Thursday, August 01, 2019

My new book Ghost Stories is available today:



Cover image: Graham Fletcher (by courtesy of the artist) /
Cover design: Daniela Gast (2019)


The official publication date for my new collection of short fiction, Ghost Stories, was yesterday, 31st July 2019.

It's been a great pleasure to work on it with the team at Lasavia Publishing on Waiheke Island: editor Rowan Sylva, designer Daniela Gast, publisher Mike Johnson, as well as the other members of the collective. I also owe a big thank you to Graham Fletcher for the use of his cover image, and (as always) to my lovely wife Bronwyn for invaluable advice at every stage of the process. Thanks, too, to Tracey Slaughter for the use of that blurb quote.

So how do you obtain a copy of the book? That is, after all, the $64,000 question. If you wish to order one online, it's available from any of the following websites:
Amazon.com
RRP: $US 15.00 (+ postage)

Amazon.co.uk
RRP: £UK 12.28 (+ postage)

Book Depository
RRP: $NZ 29.44 (free postage)

Wheelers Books
RRP: $NZ 49.50
As usual, the Book Depository seems to offer the best deal, but remember that copies can also be purchased at a discounted rate, $20, at the Waiheke Market, or (for that matter) directly from Lasavia Publishing:
Lasavia Publishing
37 Crescent Rd West
Ostend
Waiheke Island
Auckland 1081
https://www.lasaviapublishing.com/
Lasavia Publishing: Editorial

RRP: $NZ 20.00 (+ postage)
We're planning a big launch party later in the year, which I'll describe in detail here on the blog once all the arrangements are finalised, so - if you prefer - you could wait until then. But I know what eager beavers some of you readers can be!






So what exactly is the book about? The easiest thing might just be to quote from the blurb:
David Foster Wallace once wrote that 'every love story is a ghost story.' Not all of the stories in Jack Ross’s new collection are about love, but certainly all of them concern ghosts – imaginary, real, or entirely absent. As it turns out, there are even stranger things in the world: from haunted hotel rooms in Beijing to drunken poetry readings on Auckland’s North Shore. Or perhaps, as the Mayan prophets foresaw, the world really did end on the 21st December, 2012, and 'all bets are off, all the rules have changed, and – new Adams, new Eves – we have to find the courage somehow to start naming the strange new things we see.'

'There’s no one in New Zealand literature exploring the dark ways of narrative with the alchemical touch of Jack Ross, and his gift of spinning tales which jump "from track to track on the time-space continuum" never fails to leave me exhilarated, in outright awe'.
- Tracey Slaughter

Jack Ross works as a senior lecturer in creative writing at Massey University. He is the author of five poetry collections, four novels and three books of short fiction. His novel The Annotated Tree Worship was highly commended in the 2018 NZ Heritage Book Awards. He has also edited numerous books, anthologies, and literary journals, including brief, Landfall, and Poetry New Zealand. He blogs at http://mairangibay.blogspot.com/.

And here's a - slightly more informative - abstract I composed to send to my masters at Massey University, who insist on full details of every publication by their staff:
This is a set of ten short stories, with two essays: 'The Classic New Zealand Ghost Story,' an introduction to the collection as a whole; and 'Kipling and the Cross-Correspondences,' an account of the alleged attempts at communication from the other side by various dead members of the Society for Psychical Research in the early years of last century. The stories, too, are grouped around the common theme of ghosts and ghost stories, but in some rather unexpected ways. Two ('The Scam' and 'The Cross-Correspondences') are set in China, but most are explorations of the haunted landscapes of the New Zealand's North Island, from Featherston and Eketahuna to Raglan and Auckland. All of them (with the exception of 'Paragraphs') have been previously published in periodicals or online.


Now those of you obsessed (as I am) by numerology, might well have noticed an ominous feature of that list of publications in the blurb above. My breakdown of books now stands at:
5 poetry books
4 novels
3 short story collections
+ 1 stand-alone novella
= 13 in total
Yes, this is indeed my number thirteen!

All I can say is that nearly as many traditions see thirteen as a lucky number as fear it for being unlucky.

Mind you, I could fudge the count a bit if I wished. I could count my novel The Annotated Tree Worship as two books rather than one, given it appeared in two separate volumes. But they are intended as interlinked novellas, and were never really meant to be read independently.

There's also the fact that I've published 16 chapbooks at one time or another. That would bring up the total to an innocuous 29!

And then there are the various books and anthologies I've edited (15 in all, it would appear). That would bring us up to 44.

But these expedients would really just be cheating. So far as I'm concerned, I've now written 13 books, so I've taken some care to make the thirteenth as appropriate as possible. It is, after all, an exploration of the paranormal, the supernatural, as it manifests (for the most part) in some of the gloomier parts of New Zealand ...

I hope it's enjoyable. I know not everyone shares my fascination with such matters, but a great many people do. And I would argue that most of these stories can be read in a variety of ways: as actual 'ghost stories' being just one of them.






Here's a list of the contents:
Introduction
The Classic New Zealand Ghost Story

Stories
Eketahuna
The Scam
Featherston
Leaves from a Diary of the End of the World
Is it Infrareal or is it Memorex?
Company
General Grant in Paeroa
Brothers
Catfish

The Cross-Correspondences
Paragraphs
Kipling and the Cross-Correspondences

And here's a list of my 13 books to date:

  1. City of Strange Brunettes. ISBN 0-473-05446-9 (Auckland: Pohutukawa Press, 1998) [poetry book 1]
  2. Nights with Giordano Bruno. ISBN 0-9582225-0-9 (Wellington: Bumper Books, 2000) [novel 1]
  3. Chantal’s Book. ISBN 0-473-08744-8 (Wellington: HeadworX, 2002) [poetry book 2]
  4. Monkey Miss Her Now & Everything a Teenage Girl Should Know. ISBN 0-476-00182-X (Auckland: Danger Publishing, 2004) [short story collection 1]
  5. Trouble in Mind. Titus Novella Series. ISBN 0-9582586-1-9 (Auckland: Titus Books, 2005) [novella]
  6. The Imaginary Museum of Atlantis. ISBN 0-9582586-8-6 (Auckland: Titus Books, 2006) [novel 2]
  7. To Terezín: A Travelogue. Afterword by Martin Edmond. Social and Cultural Studies, 8. ISSN 1175-7132 (Auckland: Massey University, 2007) [poetry book 3]
  8. EMO. ISBN 978-1-877441-07-3 (Auckland: Titus Books, 2008) [novel 3]
  9. Kingdom of Alt. ISBN 978-1-877441-15-8 (Auckland: Titus Books, 2010) [short story collection 2]
  10. Celanie: Poems & Drawings after Paul Celan. by Jack Ross & Emma Smith, with an Afterword by Bronwyn Lloyd. ISBN 978-0-473-22484-4 (Auckland: Pania Press, 2012) [poetry book 4]
  11. A Clearer View of the Hinterland: Poems & Sequences 1981-2014. ISBN 978-0-473-29640-7 (Wellington: HeadworX, 2014) [poetry book 5]
  12. The Annotated Tree Worship (Auckland: Paper Table, 2017) [novel 4]
    • Draft Research Portfolio. ISBN 978-0-473-41328-6. Paper Table Novellas, 2 (i).
    • List of Topoi. ISBN 978-0-473-41329-3. Paper Table Novellas, 2 (ii).
  13. Ghost Stories. ISBN 978-0-9951165-5-9. 99% Press (Auckland: Lasavia Publishing, 2019) [short story collection 3]