Saturday, August 02, 2008

Reading at Poetry Live this Tuesday



Trapped within the Topographical Diagram of the Kingdom, Yuan Hong was deluded by fantasies. Anything he thought of appeared before his eyes. he thought of a river, and a river appeared before him; he thought of a mountain, and suddenly he saw one. he could see and have anything he pleased. He forgot himself, and unconsciously turned back into an ape ... But before long, he saw Yang Jian coming toward him with a sword.
_ Gu Zhizhong, trans. Creation of the Gods [c.1600]. 2 vols. 1992 (Beijing: New World Press, 1996), 2: 399.


POETRY LIVE

tuesday 5th August 2008
8 pm onwards
at the Classic Studio
upstairs at 321 Queen Street


Guest Poet: Jack Ross

Jack Ross's latest novel, EMO, came out in June this year from Titus Books. To date he has published three full-length poetry collections: City of Strange Brunettes (Pohutukawa Press, 1998), Chantal's Book (HeadworX, 2002) and To Terezín (Massey, 2007), as well as two novels, two books of short fiction, and several poetry chapbooks. He edited, with Jan Kemp, the bestselling trilogy of CD / text anthologies Classic, Contemporary& New NZ Poets in Performance (AUP, 2006-8).

He (with the indispensable assistance of Bronwyn Lloyd) will be reading from his latest work-in-progress, The Puppet Oresteia.


Guest Musician: Simen Taylor

Simen Taylor's musical roots lie in old style piano blues and American folk; which he reinterprets with electricity, sweat, and swamp drawl. His live performances swing from being insanely fast to intensely slow - often all in the same song!

You can catch Simen solo, or with his three piece band: The Blue Devils. Whatever your taste in music you will agree: this twenty seven year old delivers authentic Rythym n' Blues, and Soul, with kick-ass punch. This is piano work on steroids!

Simen also plays with Tim Finn, The Darcy Perry Band, Darren Watson, and other renowned artists.

MC: Christian

Open Mic

Koha

Thursday, July 17, 2008

Poetry Central 08



So the launch of our third AUP CD / Text anthology, New New Zealand Poets in Performance, is on Friday, 18th July, in the late afternoon (5.30 to 7 pm), at the Auckland Central Library, as part of the Montana Poetry day celebrations.

Other times have been advertised, but are incorrect - the above are final confirmed details of the event.

There's an article by Jennifer Little about the book already up on Massey News online (it was published a bit more expeditiously than we thought, so the reference to the launch "last Friday" should read "this coming Friday") ...

The event will begin with the launch of Bob Orr's latest book of poems, Calypso, then segue into readings by a number of the "New NZ Poets" included in our anthology. Anna Jackson, Therese Lloyd, Mark Pirie and Chris Price have all confirmed they'll be there, but there may be some others as well on the night. Each of us will read one of our own poems, followed by one by another poet from the book who can't be there, so you can expect a pretty wide coverage of modern NZ Poetry. The event will be MC'ed by Poet Laureate Michele Leggott, who will also be launching both books.

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Similarly, the performance by Anna Rugis and myself ("Traffic in Gold"), at the New Art gallery coffee lounge on the corner of Wellesley and Lorne Sts, will take place between 1 pm and 2 pm on Saturday 19th July, as a kind of prequel to the Auckland Art Gallery's Winter Warmers series.

Other times have been advertised, but are incorrect - this is final confirmed information about the event.

The Winter Warmers series is planned to continue every Saturday afternoon until Spring (further details are available on the Art Gallery website). I should stress that the performances will normally run from 2 to 4 pm, and will include a varied line-up of readers and musicians.

After Anna and I have finished our lunchtime show, the series proper will kick off with Jen Crawford reading from her recently published poetry collection bad appendix and continue with a set of songs from "Chanson" by Anna Rugis, Linn Lorkin & Hershal Herscher.

I'm told there might be something about this in the Weekend Herald ...

All I can say about our own performance is that it will include poems and prose extracts from my recent novel EMO, published by Titus Books earlier this year, as well as a number of songs from Anna's new CD Traffic in Gold.

Anna's CD, and Jen's and my books, will all be on sale, so please bring your chequebook in case you get inspired to go one further in supporting us local artists! Only if you like what you hear, of course.

It's the third time Anna and I have performed together at the Art Gallery on or around Poetry Day, and both previous shows were pretty kick-ass (though I say it who shouldn't). This time we hope to outdo ourselves.

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NB: you can see a review of this performance on the Auckland Poetry website here.

Sunday, June 29, 2008

War Nerd



Have you ever heard of General Butt Naked of Liberia? It sounds rather like the punchline of a joke, but if so, it's a pretty grim one. Apparently, to quote from Gary Brecher's new book of collected columns from the online journal eXile ("Mankind's Only Alternative"), War Nerd: "at the age of 11 he had a telephone call from the devil who demanded nudity on the battlefield, acts of indecency and regular human sacrifices to ensure his protection."

So, before leading my troops into battle, we would get drunk and drugged up, sacrifice a local teenager, drink their blood, then strip down to our shoes and go into battle wearing colourful wigs and carrying dainty purses we'd looted from civilians. We'd slaughter anyone we saw, chop their heads off and use them as soccer balls. [104]
"We were nude, fearless, drunk and homicidal," the general summed up, in a recent press conference in front of the world's assembled media.

Is this stuff for real? Apparently it is. A quick Google search reveals a Wikipedia article about one Joshua Blahyi (aka "General Butt Naked"). He's repented now, though, after killing approximately 20,000 people during his rampages.
In June last year God telephoned me and told me that I was not the hero I considered myself to be, so I stopped and became a preacher.
Well, that is reassuring. A bit like George Bush Jr. giving up being an alcoholic loser and family ne'er-do-well and deciding to enter politics instead.

War Nerd, sent to me from Canada by my friend John Dolan, is full of such fascinating anecdotes from ancient and modern history. Its author makes no secret of the fact that he gets off on the whole subject of war, and considers virtually any form of violent and excessive human behaviour preferable to sitting in rush-hour traffic in downtown Fresno, where he works as a downtrodden data-entry clerk.

His reflections on the details of human conflict over the ages are, admittedly, disreputably fascinating, but I guess what interested me most about the book as a whole was how difficult it was to dispute the basic tenets of this war-ophile.

Earlier this year I had a go at reading Robert Fisk's monumental tome The Great War for Civilisation: The Conquest of the Middle East. It was a library book, unfortunately, which meant that I had to read ever faster and faster, hundreds and hundreds of pages of massacres, betrayals, genocides, bombings, burnings etc. until the whole gallimaufry began to spin around my head. Finally it had to go back, all possibilities of renewal exhausted, with a good 400 or so pages to go.

I still haven't given up on it. Bronwyn's bought me my very own copy now, so I will adventure down that intrepid path again one of these days when I'm feeling mentally strong, but I guess my point is that Fisk's tome would appear to confirm the view that Brecher is the one who's on the straight and narrow - it's the rest of us with our idealistic notions of the universal power of peace and fair play who are out of step.

And I don't mean to imply, either, that Brecher's book is somehow "justified" by this comparison with Fisk's more sober-sided, serious trawl through contemporary events. I guess my problem with Fisk (and John Pilger, and various other noble-minded crusaders for truth and justice) is that their position gets increasingly paradoxical as they go along, and yet they never actually go back to square one and examine their own basic postulates about politics and human nature.

The trouble with reading a book by Pilger or Fisk is that they first describe, in grim detail, a whole series of appalling injustices, and then vaguely imply that it should be somehow "set right." Set right by whom? What is the norm in human affairs: Assyrian Kings decapitating their foes, Aztecs tearing out human hearts, Spanish Conquistadors working their Indian slaves to death - or tea parties in Mayfair and Manhattan?

Personally (of course) I'd rather be at the tea party, but I soon as I start to dig a little (what we old-fashioned humanists used to call "thinking"), the motives of the waiting staff begin to present themselves as emblematic of an essentially exploitative top-heavy rewards system. Who cleans up the tables after the tea is drunk? Who carries off the trash? Where does that trash end up? Who lives next to (or on top of) the rubbish-dump? And so on.

Mind you, I certainly respect Fisk and Pilger's moral indignation, but I'd rather they did a more grass-roots, Thoreau-style analysis of their own being-in-the-world. Who folds their sheets? Pays their expense accounts? Why do their books get published and distributed? Because they have the end result of supporting the status quo by implying that wars and genocides are occasional, aberrant - though still distressingly frequent - exceptions to the normal run of affairs in late Capitalist society, rather than "politics continued by other means" (von Clausewitz)?

Brecher's a kind of a humourist, I suppose. At least he certainly writes amusingly. And yet he dares to ask these difficult questions and follows through on the answers. He admits that he'd love to be a warlord, that he sees nothing "irrational" in low-profile, grass-roots guerilla wars. It's funny, yeah, but it's also food for thought in a way that Messrs Chomsky, Fisk and Pilger aren't. They fall back on invoking old-fashioned codes of decency, when the world they describe clearly no longer has the remotest use for such bourgeois scruples.

I'd prefer to live in their world than Brecher's, but the picture he paints makes disconcertingly better sense. And, you know, his analysis of the likes of General Butt Naked (whom it 's hard to imagine even accommodating in most conceptual universes) rings bitterly, horribly true:

The sad part is, I can imagine my folks going to see the bastard preach and getting all sentimental when he starts talking about how the Devil captured him at age eleven ... General Naked may be preaching the Gospel now, but that's the kind of job-change psychos like him can do without breaking a sweat. and they can go back to the old psycho-killer job just as quick when the time's right. [105]
In a world where you can still meet people who feel indignant at the "persecution" of that poor old man General Pinochet, when he was finally arrested in Spain and asked politely to attend a non-binding tribunal to inquire into certain crimes against humanity which had been alleged against him; where immaculately-suited, well-fed media commentators seem genuinely unable to explain why Robert Mugabe doesn't simply renounce the Presidency of Zimbabwe, crying out: "Lord, I done wrong!" under the withering hail of "international opinion," I think it might finally be time to get just a little real.

I'm appalled by the brutal world that Brecher paints, but I'm increasingly unable to pretend that he's making it up as he goes along. Give him a listen. And after you've stopped laughing at all those witty asides, you might do worse than start to think about what he's actually saying.