Tenth Anniversary (Tin)

[Tin Man]

I started this blog on the 14th of June, 2006, so this is the tenth anniversary of The Imaginary Museum's existence. Five years ago I put up a post which listed five major web projects I'd undertaken in the first five years of the blog's existence.

I've tried to do the same this time (albeit with somewhat shakier chronology). And, just as I remarked last time, every time I complete one of these endeavours I tell myself never again, but the impulse doesn't seem to have dried up just yet ...

So here they are, in rough chronological order:

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2011:




1. (January 1, 2011-August 14, 2012) Tree Worship.



This blog is linked to my novel The Annotated Tree Worship (Forthcoming: Pania Press, 2016), and constitutes the "research project" undertaken by that book's protagonist - with somewhat disastrous results to his professional reputation ... If parts of it seem a little unusual for me, then, it's because they are supposed to have been written "in character." I is another, as Rimbaud once remarked.




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2012:




2. (March 31-July 3, 2012) Jack Ross: Notes on NZ Poetry (Commentary: Jacket2).



Pam Brown asked me to edit a feature on contemporary NZ poets for the American poetics site Jacket2 to match the one she was compiling on Australian poetry. It was a very enjoyable experience (the results can be looked at here, if you're curious), and it went live in late 2011.

As a result (I presume), they asked me to write a set of posts on NZ poetry and poetics for the Commentaries section of their site. This proved a little more arduous, and the results have received a certain amount of healthy criticism - not least from Vaughan Rapatahana, whose own Jacket2 commentary begins with the remark:

Jack Ross has ... enabled a series of earlier commentaries in Jacket 2 (during 2012), where he reflected about ‘my ongoing engagement with New Zealand poetry.’ Yet, Jack, for all his ensuing comments, never touched on the first New Zealand poetry that had existed on the shores of this country for hundreds of years before any English language versifiers ever entered the scene. This, of course is ngā mōteatea Māori, which necessarily must be included as a vital and ongoing component of Aotearoa poetics. ‘Maori language and Māori oral literature may come to be seen as being … crucial to the development of New Zealand literature … an acquaintance with Māori language and literature is a necessary prerequisite for making Olympian judgments about the nature of New Zealand literature as a whole’ wrote the late Michael King back in 1993.

It's hard to quarrel with Vaughan's position on that. I've tried to redress the balance a bit in my editorial for the latest issue of Poetry NZ Yearbook. There are certainly things I would probably write differently if I were to begin this task again, but one does, after all, have to start somewhere.




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2013:




3. (August 18, 2013- ) Opinions: Published Articles, Essays, Prefaces & Reviews - 1987 to the present.



It sounds like a simple enough thing to do - listing your old essays and reviews on a single website - but in practice locating all the texts, scanning all the journals, and collating all the bibliographical information took far longer than I'd expected.

Nor did I have any real idea of how much work I'd actually done in this category (a few statistics: 290 separate pieces, published over 25 years, incorporating over 350,000 words of text). Now that it's done, it only requires updating every time I publish something new.

Occasionally I get flack about some of the information in one or other of these ancient pieces, which makes me wonder if it was worth saving them from the newsprint they could otherwise just quietly fade away on, but I suppose one should face up to one's mistakes as well as the occasional thing I may have got right.




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2014:




4. (January 1, 2014-February 17, 2015) Poetry New Zealand Index: An International Journal of Poetry and Poetics (1951-2015).



This one was a bit of a hoor to get finished, I must admit. "Never again, never again, never again," kept on shrilling through my head as I scrolled through issue after issue of New Zealand's longest-running poetry magazine, entering the contents onto my author index. But now it's done, and I never have to do it again! The only maintenance required now is to update it as each new issue comes out (something I already do - for my sins - for New Zealand's longest-running alt lit journal brief.




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2015:




5. (February 25, 2015- ) Advanced Fiction Writing: 139.329: College of Humanities and Social Sciences - School of English and Media Studies - Albany Campus - Massey University.



And, last but not least, a work in progress: the website for my latest Creative Writing course, our new stage 3 Advanced Fiction Writing paper, which I'm teaching as a kind of backward glance over traversed roads, as befits its status as a follow-up to my colleague Thom Conroy's Fiction Writing course (139.285). It kicks off in semester 1, 2017.

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So what does the future hold for this blog - and for the bloggy empire to which it constitutes the gateway (38 at last count)? Who can truly say? These are deep waters, Watson.

More of the same, no doubt, but perhaps it might be a good idea to learn to expend my energy in ways which make more sense to the authorities presiding over my professional development: PBRF [Performance-Based Research Funding, for those of you lucky enough not to be in the know], for instance... Nah, just kidding.

[Off to see the Wizard ...]

Indexing Poetry NZ

Joseph Severn: Shelley at the Baths of Caracalla (1845)

“Now my summer task is ended,” wrote Shelley, as he reclined in a rowboat, having just completed his massive 12-canto epic Laon and Cyntha (1817).

My summer’s task has been somewhat less creative - though I have to confess that at times it seemed every bit as arduous - compiling a comprehensive online index for the journal variously known as New Zealand Poetry Yearbook (1951-1964), Poetry New Zealand (1971-84), Poetry NZ (1990-2014), and – now – Poetry New Zealand Yearbook (2014-?).

Over the past 65 years, 67 issues of this magazine have been issued by publishers including A. H. & A. W. Reed, Pegasus Press, John McIndoe, Nagare Press, Brick Row Publishing, Puriri Press, Massey’s School of English and Cultural Studies, and – now – Massey University Press.

These 67 issues, edited by 16 editors, contain 6784 pages of material: editorials, essays, reviews, and – of course – many, many poems, reviews and essays by 947 authors (but who's counting?).

And what have I learned from this extremely laborious exercise? Well, I suppose it’s given me a renewed appreciation for the sheer coverage achieved by this journal in its two-thirds of a century of existence. Who, among New Zealand’s canonical poets and writers, isn’t there? Adcock, Baxter, Curnow, Doyle, Glover, Hyde, Manhire - you name them, chances are they're there (as you can readily verify by visiting the Author index page).

And then there are the overseas contributors: Charles Bernstein, Charles Bukowsky, Robert Creeley, August Kleinzahler, Les Murray - again, the list goes on.

How should you use the index? Well, the quick answer is to go here, where I've given some brief instructions on the subject.

If you're curious, though, I'll just remarks that it is – in conception, at least – as simple as I can make it. There’s a separate page for each issue, with images of the Front and Back Covers, Title-page and Copyright details, and the Table of Contents: together with any details I can find about such matters as the Contributors and the Subscription Details - on average, ten separate images per issue.

If you want to know about a particular issue, you can either link to it from the right sidebar of the site, or – alternatively – from the Contents or Site-Map pages.

If, however, you want to know what a particular author has published in Poetry New Zealand over the years, you can go to the Author Index page, which provides a numbered list, alphabeticised by surname, together with chronological details of each writer's contributions. You can imagine how much fun it was putting that together!

No doubt there are still many typos and other errors left, though I've tried to proof-read it as carefully as I went along. 1,000-odd A4 pages of material provides scope for a good many mistakes, however. I’d appreciate it very much if you would alert me to any lacunae you detect, and promise to correct them as soon as I can. You could start by checking the details of your own contributions to the magazine over the years, perhaps.

For the rest, I’m not really proposing that anyone should try to read this monstrous compilation for pleasure, but hopefully future researchers into modern New Zealand poetry may find it of some use. It’ll certainly be a great help to me as the present editor of the magazine.

Enjoy!

James Ko: "Jack" (c.1996)