Classic Ghost Story Writers: J. Sheridan Le Fanu

Joseph Sheridan Le Fanu (1814-1873)

The Perils of Green Tea

If you want to understand just why Sheridan Le Fanu stands out from all other Victorian ghost story writers, the easiest way is simply to pick up his late collection In a Glass Darkly and take it from there.

In a Glass Darkly (1872)

Of the five stories included in the book, at least three are perennial horror classics. The other two are pretty good also. They include the short novella "Carmilla," still probably the most poetic and haunting treatment of the vampire theme in existence; "The Familiar," a strangely psychological account of a haunting; "The Room in the Dragon Volant," a terrifyingly effective mystery story; "Mr. Justice Harbottle," a very original approach to the familiar theme of the haunted house, and, finally, perhaps most powerful of all, "Green Tea," where Le Fanu devises the most truly horrifying ghost in all of paranormal literature.

So much comes out of this book! Bram Stoker was greatly influenced by it. It's hard to imagine Dracula without "Carmilla" (which he in fact references directly in the associated short story "Dracula's Guest"). "Mr. Justice Harbottle," together with its 1851 analogue "An Account of Some Strange Disturbances in Aungier Street," also clearly inspired Stoker's short story "The Judge's House."

"Green Tea" is, however, sui generis. The Occult physician Martin Hesselius, whose selected papers In a Glass Darkly purports to be, certainly gifted certain of his traits to a long series of successors, including Stoker's Dr. Abraham Van Helsing (Dracula, 1897), Algernon Blackwood's John Silence (John Silence, Physician Extraordinary, 1908), William Hope Hodgson's John Carnacki (The Casebook of Carnacki the Ghost Finder, 1913), and even Aleister Crowley's Simmon Iff (The Scrutinies of Simon Iff, 1917-18). None of them came up with anything quite so worrying as the concept of "opening the interior eye" by excessive indulgence in green tea, taken late at night, however.

Green Tea (1872)

Mind you, Le Fanu's fiction is a pretty mixed bag. M. R. James said that Le Fanu “succeeds in inspiring a mysterious terror better than any other writer”; whereas Henry James wrote that his novels were “the ideal reading in a country house for the hours after midnight.” He may have meant that quite a few of them are likely to send you to sleep, however.

E. F. Bleiler once estimated that the proportion of mystery and detective to supernatural fiction in Le Fanu's output was something like four or five to one, and even the stories with ghostly overtones seldom commit themselves definitively to a paranormal explanation. Human psychology was always his major preoccupation, which is why so many of them seem so startlingly - if not modern, at any rate proto-Freudian.

Uncle Silas (1864)

If you like lengthy Victorian sensation novels such as Wilkie Collins' classic The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868), however, you'll find Sheridan Le Fanu to be a worthy rival to that master of intertwined plots replete with somnambulism, stolen identity, and downright raving madness.

Uncle Silas (1864) is Le Fanu's one undoubted classic in this line. It's not that the plot of the book is so clever, rather the appalling strain on the nerves built up by so much terror and suspense in so horribly confined a space. Almost all of his other books have something to be said for them, though: some individual contribution to the mystery genre.

For myself, I find the madhouse scenes in The Rose and the Key (1871) particularly effective - and while it's hard to have patience with Wylder's Hand (1864) as a whole, the strange utterances and prophecies which emanate from at least one of the minor characters lend it a particular poetic atmosphere all its own.

The Passing of J. Sheridan Le Fanu (2016)

The same characters - under different names - tend to recur almost obsessively in Le Fanu's fiction: innocent and easily affrighted young girls are one of his staples; another is a particularly reprehensible and amoral type of self-indulgent young man: Captain Richard Lake in Wylder's Hand would be one example, Sir Henry Ashwoode in his very first novel, The Cock and Anchor (1845), another.

Even though their machinations - like those of Uncle Silas himself, the epitome of this type - always come to ruin, Le Fanu seems fascinated by the mechanics of their smooth roguery. His bona fide heroes and heroines seem, by contrast, more one-dimensional and far less erotically charged. An atmosphere of erotic complication - confused gender identities and lines of attraction - is an almost invariable feature of a long Le Fanu narrative, in fact. As well as his fourteen full-length novels, he wrote many novellas and long short stories, not all of them collected to this day.

Strangely enough, although he's been canonised as a quintessentially Irish writer, only his first three novels are actually set there. All the others take place in old, off-the-beaten-track parts of England. It's hard to see that this makes much difference, though. His ancient, shadowy wooded estates really exist nowhere but in his own imagination, and that imagination remained staunchly Irish throughout his life: for the most part, though, the guilty Anglo-Irish culture of the Protestant ascendancy. It's no accident that Jonathan Swift has a walk-on part in his first novel, and that the sole topic of his conversation is his need to find a living on the other side of the Irish sea.

Le Fanu's own lifestyle was, by all accounts - at least latterly, after the death of his wife - bizarre. He wrote at night, in his grim old house in Dublin, with the help of copious doses of green tea. Like one of his own characters, he had a recurring dream that the house would come down on his head. When he was found dead one morning, at the fairly early age of 58, the doctor who examined him commented wryly that the house had fallen at last. He is reputed - though on somewhat uncertain evidence - to have died of fright.

All I can say in conclusion is that work is distinctly addictive. The more of it you read, the more appetite you feel for it. I've read about half of his novels, and am anxious to read all the others. There's something particularly satisfactory about lying in bed with what my own doctor calls "para-influenza" and reading a series of Le Fanu novellas and novels. The slightly visionary effect of the illness brings out the best in his long, convoluted - at times dreamlike - narratives.

The ghost stories, though, can be read at almost any time, in almost any mood. He was unquestionably a genius. His work may have its limitations, but is almost perfect of its kind within them. If you haven't experienced it yet, bon appétit!

Sheridan Le Fanu

Joseph Thomas Sheridan Le Fanu
(1814-1873)

1. The Cock and Anchor. 1845. Introduction by Herbert van Thal. The First Novel Library. London: Cassell, 1967.


2. The Fortunes of Colonel Torlogh O'Brien (1847)


3. Ghost Stories and Tales of Mystery (1851)
   1. The Watcher
   2. The Murdered Cousin
   3. Schalken the Painter
   4. The Evil Guest


4. The House by the Churchyard. 1863. Introduction by Elizabeth Bowen. The Doughty Library. London: Anthony Blond, 1968.


5. Uncle Silas: A Tale of Bartram-Haugh. 1864. Ed. Victor Sage. Penguin Classics. London: Penguin, 2000.


6. Wylder’s Hand. 1864. New York: Dover, 1978.


7. Guy Deverell. 1865. New York: Dover, 1984.


8. All in the Dark. 1866. CreateSpace Independent Publishing Platform, 2015.


9. The Tenants of Malory. 1867. CreateSpace Independent Publishing Platform, 2015.


10. A Lost Name. 1868. CreateSpace Independent Publishing Platform, 2015.


11. Haunted Lives. 1868. CreateSpace Independent Publishing Platform, 2012.


12. The Wyvern Mystery. 1869. Pocket Classics. 1994. Phoenix Mill, Far Thrupp, Stroud, Gloucestershire: Alan Sutton Publishing Limited, 2000.


13. Checkmate. 1871. CreateSpace Independent Publishing Platform, 2016.


14. Chronicles of Golden Friars. 1871. CreateSpace Independent Publishing Platform, 2015.
    1. A Strange Adventure in the Life of Miss Laura Mildmay
    2. The Haunted Baronet
    3. The Bird of Passage


15. The Rose and the Key. 1871. Pocket Classics. Phoenix Mill, Far Thrupp, Stroud, Gloucestershire: Alan Sutton Publishing Limited, 1994.


16. In a Glass Darkly: Stories. 1872. Introduction by V. S. Pritchett. London: John Lehmann, 1947.
    1. Green Tea
    2. The Familiar
    3. Mr Justice Harbottle
    4. The Room in the Dragon Volant
    5. Carmilla


17. Willing to Die. 1872. CreateSpace Independent Publishing Platform, 2015.


18. The Purcell Papers. 1880. Serenity Publishers, LLC, 2011.
    1. The Ghost and the Bone-Setter (January 1838)
    2. The Fortunes of Sir Robert Ardagh (March 1838)
    3. The Last Heir of Castle Connor (June 1838)
    4. The Drunkard's Dream (August 1838)
    5. A Passage in the Secret History of an Irish Countess (November 1838)
    6. The Bridal of Carrigvarah (April 1839)
    7. A Strange Event in the Life of Schalken the Painter (May 1839)
    8. Scraps of Hibernian Ballads (June 1839)
    9. Jim Sullivan's Adventures in the Great Snow (July 1839)
    10. A Chapter in the History of a Tyrone Family (October 1839)
    11. An Adventure of Hardress Fitzgerald, a Royalist Captain (February 1840)
    12. The Quare Gander (October 1840)
    13. Billy Maloney's Taste of Love and Glory (June 1850)


19. The Watcher and Other Weird Stories. Preface by Brinsley Le Fanu. 1894. New English Library Classic Series. London: The New English Library, 1974.
    1. The Watcher
    2. Passage in the Secret History of an Irish Countess
    3. Strange Event in the Life of Schalken the Painter
    4. The Fortunes of Sir Robert Ardagh
    5. The Dream
    6. A Chapter in the History of a Tyrone Family


20. Madam Crowl’s Ghost and Other Tales of Mystery. Ed. M. R. James. 1923. Ware, Hertfordshire: Wordsworth Classics, 1994.
    1. Madam Crowl's Ghost (from All the Year Round, December 1870)
    2. Squire Toby's Will (from Temple Bar, January 1868)
    3. Dickon the Devil (from London Society, Christmas Number, 1872)
    4. The Child That Went with the Fairies (from All the Year Round, February 1870)
    5. The White Cat of Drumgunniol (from All the Year Round, April 1870)
    6. An Account of Some Strange Disturbances in Aungier Street (from the Dublin University Magazine, January 1851)
    7. Ghost Stories of Chapelizod (from the Dublin University Magazine, January 1851)
    8. Wicked Captain Walshawe, of Wauling (from the Dublin University Magazine, April 1864)
    9. Sir Dominick's Bargain (from All the Year Round, July 1872)
    10. Ultor de Lacy (from the Dublin University Magazine, December 1861)
    11. The Vision of Tom Chuff (from All the Year Round, October 1870)
    12. Stories of Lough Guir (from All the Year Round, April 1870)


21. Best Ghost Stories. Ed. E. F. Bleiler. New York: Dover, 1964.
    1. Squire Toby's Will
    2. Schalken the Painter
    3. Madam Crowl's Ghost
    4. The Haunted Baronet
    5. Green Tea
    6. The Familiar
    7. Mr. Justice Harbottle
    8. Carmilla
    9. The Fortunes of Sir Robert Ardagh
    10. An Account of Some Strange Disturbances in Aungier Street
    11. The Dead Sexton
    12. Ghost Stories of the Tiled House
    13. The White Cat of Drumgunniol
    14. An Authentic Narrative of a Haunted House [non-fiction]
    15. Sir Dominick's Bargain
    16. Ultor de Lacy


22. Ghost Stories and Mysteries. Ed. E. F. Bleiler. New York: Dover, 1975.
    1. The Room in the Dragon Volant (from London Society, 1872)
    2. Laura Silver Bell (from Belgravia Annual, 1872)
    3. Wicked Captain Walshawe, of Wauling (from Dublin University Magazine, 1869)
    4. Ghost Stories of Chapelizod (from Dublin University Magazine, 1851)
    5. The Child That Went with the Fairies (from All the Year Round, 1870)
    6. Stories of Lough Guir (from All the Year Round, 1870)
    7. The Vision of Tom Chuff (from All the Year Round, 1870)
    8. The Drunkard's Dream (from Dublin University Magazine, 1838)
    9. Dickon the Devil (from London Society, 1872)
    10. The Ghost and the Bone Setter (from Dublin University Magazine, 1838)
    11. A Chapter in the History of a Tyrone Family (from Dublin University Magazine, 1839)
    12. The Murdered Cousin (in Ghost Stories and Tales of Mystery, 1851 - originally published as "Passage in the Secret History of an Irish Countess" in Dublin University Magazine, 1838)
    13. The Evil Guest (in Ghost Stories and Tales of Mystery, 1851)
    14. The Mysterious Lodger (from Dublin University Magazine, 1850)


23. Cox, Michael, ed. The Illustrated J. S. Le Fanu: Ghost Stories and Mysteries by a Master Victorian Storyteller. Equation. Wellingborough, Northamptonshire: Thorsons Publishing Group, 1988.
    1. Schalken the Painter
    2. The Familiar
    3. The Murdered Cousin
    4. An Account of Some Strange Disturbances in Aungier Street
    5. Ghost Stories of the Tiled House
    6. Wicked Captain Walshawe, of Wauling
    7. Squire Toby's Will
    8. Green Tea
    9. Madam Crowl's Ghost
    10. Mr Justice Harbottle
    11. The Room in the Dragon Volant


24. Spalatro: Two Italian Tales. 1843. Mountain Ash, Wales: Sarob Press, 2001.


25. The Collected Supernatural and Weird Fiction of J. Sheridan Le Fanu. 8 vols. UK: Leonaur, 2010.
    1. The Haunted Baronet / The Evil Guest / Carmilla / A Chapter in the History of a Tyrone Family / 10 short stories: A Debt of Honour; An Account of Some Strange Disturbances in Aungier Street; An Adventure of Hardress Fitzgerald, a Royalist Captain; An Authentic Narrative of a Haunted House; Billy Malowney's Taste of Love and Glory; Borrhomeo the Astrologer; Catherine's Quest; Devereux's Dream; Doctor Feversham's Story & The little Red Man
    2. Uncle Silas / Green Tea / 5 short stories: Ghost Stories of Chapelizod; Ghost Stories of the Tiled House; Haunted; Jim Sulivan's Adventures in the Great Snow & Laura Silver Bell
    3. The House by the Churchyard / 1 short story: Dickon the Devil.
    4. The Wyvern Mystery / Mr. Justice Harbottle / 9 short stories: Madam Crowl's Ghost; Passage in the Secret History of an Irish Countess; Pichon & Sons, of the Croix Rousse; Schalken the Painter; Scraps of Hibernian Ballads; Wicked Captain Walshawe, of Wauling; Squire Toby's Will; Stories of Lough Guir & Sir Dominick's Bargain.
    5. The Rose and the Key / Spalatro, From the Notes of Fra Giacomo / 2 short stories: The Bridal of Carrigvarah & The White Cat of Drumgunniol.
    6. Checkmate / 6 short stories: The Fortunes of Sir Robert Ardagh; The Child That Went With the Fairies; What Was It?; Ultor De Lacy: a Legend of Cappercullen; Fireside Horrors For Christmas & The Questioning of Paddy Mullowney's Ghost
    7. All in the Dark / The Room in the Dragon Volant / The Mysterious Lodger / The Watcher / 3 short stories: The Drunkard's Dream; The Ghost and the Bone-Setter & The Legend of Dunblane.
    8. A Lost Name / The Last Heir of Castle Connor / 6 short stories: The Phantom Fourth; The Quare Gander; The Secret of the Two Plaster Casts; The Spirit's Whisper; The Vision of Tom Chuff & Some Gossip About Chapelizod.

Sheridan Le Fanu

Famous Seamus: Lament for a Maker

i.m. Seamus Heaney


Bobbie Hanvey: Seamus Heaney

born County Derry, Northern Ireland
13 April 1939
died Dublin, Eire
30 August 2013

I went to a talk by the distinguished Irish writer Dermot Healy recently, while I was at a conference in Singapore. As well as plays, screenplays, and fiction - most famously his haunting and terrifying novel A Goat's Song (1994) - Healy has also published a number of books of poetry. He's a pretty unpretentious sort (in fact, when I last saw him, at the conference dinner, he was trying to imitate Tibetan throat music to an increasingly unenthusiastic throng). One of his quips was that he was getting used to people coming up to him and saying how much his poems meant to them, then producing a copy of Death of a Naturalist for his signature ...

Dermot Healy / Seamus Heaney - the names are not really that similar, but he claimed that he got mistaken for the more famous Seamus on a regular basis, and had in fact taken to signing some of his books simply in order to avoid further explanations.

Famous Seamus - that was his nickname in Ireland, another Irish friend told me. Virtually from the beginning of his career, in the mid-sixties, it was apparent that his was a talent on a different scale from most of his contemporaries. As Gavin Ewart put it, wryly: "I think I'm Auden, he thinks he's Yeats." That was the competition - not the other poets he knew, or (increasingly) that he'd taught at Queen's University in Belfast.

I wrote a fairly long piece about Heaney and his sense of poetic genealogy for a guest lecture I gave to Jo Emeney's somewhat bemused English students at Kristin School in 2010. Not just Yeats, but Homer, Shakespeare - above all, Dante, who inspired his wonderful dream vision Station Island of 1984, and whom he translated piecemeal in various collections throughout his career.

He bore his burden of fame (the Nobel Prize, the Professorship of Poetry at Oxford) with grace, I think. It can't have been easy at times, when each of his pronouncements was taken so seriously, weighed up with such scrupulous attention - particularly as the Troubles dragged on, and he had somehow become the voice of Catholic Northern Ireland itself.

His was a fate rather like Dante's - and Yeats's - then: a partisan political as well as a poetic role to play in the tragi-comedy of late twentieth-century history.

Now all that's over and we can go back to the poetry. A few years ago I bought the recordings he'd made of his entire body of work to date: a 15-CD set which I've listened to a couple of times since then. It's a very different experience from reading the books (I have all of them, as well: the 12 collections, at any rate). His shaping and patterning is so clear on the page. When spoken aloud, the poems become more genial and anecdotal, more like the fragments of a complex life story they were always, I imagine, meant to be.

It seems rather fitting that it was Jo Emeney who sent me a link to an obituary by Colm Tóibín, and thus informed me indirectly of his death yesterday. I don't know quite what to think, actually. He was one of the major shapers of poetry in our time. It seems rather unfair that we should have to part with him so soon. I suppose the true breadth of his work will come into focus now, though - that journey he started on almost fifty years ago.

I'll quote a part of his translation of Canto 1 of Dante's Inferno. It seems to say so much more than I can find to say at this moment:

How I got into it I cannot clearly say
for I was moving like a sleepwalker
the moment I stepped out of the right way,

But when I came to the bottom of a hill
standing off at the far end of that valley
where a great terror had disheartened me

I looked up, and saw how its shoulders glowed
already in the rays of the planet
which leads and keeps men straight on every road.

Then I sensed a quiet influence settling
into those depths in me that had been rocked
and pitifully troubled all night long

And as a survivor gasping on the sand
turns his head back to study in a daze
the dangerous combers, so my mind

Turned back, although it was reeling forward,
back to inspect a pass that had proved fatal
heretofore to everyone who entered.

- from Dante's Inferno: Translations by 20 Contemporary Poets, edited by Daniel Halpern (New York: Ecco Press, 1993)

What more can one say? It comes to us all in the end, that "pass that had proved fatal/ heretofore to everyone who entered" - in Seamus Heaney it took away one of the best and the brightest ... Perhaps one might conclude, instead, with some lines from Dunbar's "Lament for the Makaris":

I se that makaris amang the laif
Playis heir ther pageant, syne gois to graif;
Sparit is nocht ther faculte;
Timor mortis conturbat me.

[I see that makers among the rest
play here their pageant, then go to grief;
their faculty is not exempt;
The fear of death obsesses me].

Seamus Heaney: Collected Poems (2009)

Seamus Justin Heaney
(1939-2013)

Poetry collections:


1. Death of a Naturalist (1966)
   • Death of a Naturalist. 1966. London: Faber, 1969.
2. Door into the Dark (1969)
   • Door into the Dark. 1969. London: Faber, 1985.
3. Wintering Out (1972)
   • Wintering Out. 1972. London: Faber, 1993.
4. North (1975)
   • North. 1975. London: Faber, 1992.
5. Field Work (1979)
   • Field Work. London: Faber, 1979.
6. Station Island (1984)
   • Station Island. 1984. New York: Farrar, Straus & Giroux, 1986.
7. The Haw Lantern (1987)
   • The Haw Lantern. London: Faber, 1987.
8. Seeing Things (1991)
   • Seeing Things. London: Faber, 1991.
9. The Spirit Level (1996)
   • The Spirit Level. London: Faber, 1998.
10. Electric Light (2001)
    • Electric Light. London: Faber, 2001.
11. District and Circle (2006)
    • District and Circle. London: Faber, 2006.
12. Human Chain (2010)
    • Human Chain. London: Faber, 2010.

Selected editions:


13. Selected Poems 1965–1975 (1980)
    • Selected Poems 1965-1975. London: Faber, 1980.
14. New Selected Poems 1966–1987 (1990)
    • New Selected Poems 1966-1987. London: Faber, 1990.
15. Opened Ground: Poems 1966–1996 (1998)
    • Opened Ground: Poems 1966-1996. London: Faber, 1998.
16. New Selected Poems 1988–2013 (2014)
    • New Selected Poems 1988-2013. London: Faber, 2014.
17. 100 Poems (2018)

Prose collections:


18. Preoccupations: Selected Prose 1968–1978 (1980)
19. The Government of the Tongue (1988)
20. The Redress of Poetry: Oxford Lectures (1995)
    • The Redress of Poetry: Oxford Lectures. 1995. London: Faber, 1996.
21. Finders Keepers: Selected Prose 1971–2001 (2002)
    • Finders Keepers: Selected Prose 1971-2001. 2002. London: Faber, 2003.

Plays:


22. The Cure at Troy: A version of Sophocles' Philoctetes (1990)
    • The Cure at Troy: A Version of Sophocles' Philoctetes. London: Faber, in association with Field Day Theatre Company, Derry, 1990.
23. The Burial at Thebes: A version of Sophocles' Antigone (2004)
    • The Burial at Thebes: A Version of Sophocles' Antigone. 2004. New York: Farrar, Straus and Giroux, 2005.

Translations:


24. Sweeney Astray: A version from the Irish (1983)
    • Sweeney Astray. 1983. London: Faber, 1984.
25. Sweeney's Flight. Photographs by Rachel Giese (1992)
26. The Midnight Verdict: Translations from the Irish of Brian Merriman and from the Metamorphoses of Ovid (1993)
27. [with Stanisław Barańczak] Laments, a cycle of Polish Renaissance elegies by Jan Kochanowski (1995)
28. Beowulf: A New Verse Translation (1999)
    • Beowulf: A Verse Translation. 2000. Norton Critical Edition. Ed. Daniel Donghue. New York: W. W. Norton, 2002.
29. Diary of One Who Vanished, a song cycle by Leoš Janáček of poems by Ozef Kalda (1999)
    • Diary of One Who Vanished: A Song cycle by Leos Janacek / Poems by Ozef Kalda. London: Faber, 1999.
30. The Testament of Cresseid & Seven Fables (2009)
31. Aeneid: Book VI (2016)
32. The Translations of Seamus Heaney (2022)
    • The Translations of Seamus Heaney. Ed. Marco Sonzogni. 2022. London: Faber, 2023.

Chapbooks & Limited editions:


33. Eleven Poems (1965)
34. The Island People (1968)
35. Room to Rhyme (1968)
36. A Lough Neagh Sequence (1969)
37. Night Drive (1970)
38. A Boy Driving His Father to Confession (1970)
39. Explorations (1973)
40. Stations (1975)
41. Bog Poems (1975)
42. The Fire i' the Flint (1975)
43. Four Poems (1976)
44. Glanmore Sonnets (1977)
45. In Their Element (1977)
46. Robert Lowell: A Memorial Address and an Elegy (1978)
47. The Makings of a Music (1978)
48. After Summer (1978)
49. Hedge School (1979)
50. Ugolino (1979)
51. Gravities (1979)
52. A Family Album (1979)
53. Toome (1980)
54. Sweeney Praises the Trees (1981)
55. A Personal Selection (1982)
56. Poems and a Memoir (1982)
57. An Open Letter (1983)
58. Among Schoolchildren (1983)
59. Verses for a Fordham Commencement (1984)
60. Hailstones (1984)
61. From the Republic of Conscience (1985)
62. Place and Displacement (1985)
63. Towards a Collaboration (1985)
64. Clearances (1986)
65. Readings in Contemporary Poetry (1988)
66. The Sounds of Rain (1988)
67. The Dark Wood (1988)
68. An Upstairs Outlook (1989)
69. The Place of Writing (1989)
70. The Tree Clock (1990)
71. Squarings (1991)
72. Dylan the Durable (1992)
73. The Gravel Walks (1992)
74. The Golden Bough (1992)
75. Keeping Going (1993)
76. Joy or Night (1993)
77. Extending the Alphabet (1994)
78. Speranza in Reading (1994)
79. Oscar Wilde Dedication (1995)
80. Charles Montgomery Monteith (1995)
81. Crediting Poetry: The Nobel Lecture (1995)
82. Commencement Address (1996)
83. Poet to Blacksmith (1997)
84. An After Dinner Speech (1997)
85. Audenesque (1998)
86. The Light of the Leaves (1999)
87. Ballynahinch Lake (1999)
88. Something to Write Home About (2001)
89. Towers, Trees, Terrors (2001)
90. The Whole Thing: on the Good of Poetry (2002)
91. Hope and History (2002)
92. A Keen for the Coins (2002)
93. Hallaig (2002)
94. Arion, a poem by Alexander Pushkin, translated from the Russian, with a note by Olga Carlisle (2002)
95. Eclogues in Extremis (2003)
96. Squarings (2003)
97. Anything can Happen (2004)
98. Room to Rhyme (2004)
99. The Testament of Cresseid (2004)
100. Columcille The Scribe (2004)
101. A Tribute to Michael McLaverty (2005)
102. The Door Stands Open (2005)
103. A Shiver (2005)
104. The Riverbank Field (2007)
105. Articulations (2008)
106. One on a Side (2008)
107. Spelling It Out (2009)
108. Writer & Righter (2010)
109. Stone From Delphi (2012)
110. The Last Walk (2013)
111. My Yeats (2019)

Edited:


112. [with Ted Hughes] The Rattle Bag (1982)
     • [with Ted Hughes] The Rattle Bag: An Anthology of Poetry. 1982. London: Faber, 1985.
113. [with Ted Hughes] The School Bag (1997)
     • [with Ted Hughes] The School Bag. London: Faber, 1997.

Recordings:


114. Collected Poems (2009)
     • Collected Poems: Death of a Naturalist (1966); Door into the Dark (1969); Wintering Out (1972); North (1975); Field Work (1979); Station Island (1984); The Haw Lantern (1987); Seeing Things (1991); The Spirit Level (1998); Electric Light (2001); District and Circle (2006). Read by the Author. Set of 15 CDs. Dublin: RTE / Lannan, 2009.

Letters:


115. The Letters of Seamus Heaney (2023)
     • The Letters of Seamus Heaney. Ed. Christopher Reid. 2023. London: Faber, 2024.

Secondary:


116. O'Driscoll, Dennis. Stepping Stones: Interviews with Seamus Heaney. London: Faber, 2008.

Seamus Heaney (2010)

•