Showing posts with label Bryan Walpert. Show all posts
Showing posts with label Bryan Walpert. Show all posts

Sunday, September 25, 2022

Time Travel and Beyond


Bryan Walpert: Entanglement (2021)

Time Travel and Beyond

Is time travel possible? Why write another novel about it?

Jack Ross chats with Bryan Walpert, Devonport resident and author of the 2022 Ockham short-listed novel
Entanglement, about time travel, the challenge of putting science into a novel, crossing the border from poetry to fiction, science fiction vs. science-in-fiction, and more.

Books will be available for purchase.





As a researcher [at the Centre for Time at the University of Sydney] was settling me into my cubicle, he gave me some advice: Don’t think about it too hard and you’ll know what time it is; think about it too much and you’ll confuse yourself. As it turns out, this more or less describes our relationship with time as expressed by St Augustine some 1800 years ago. He wrote, “What then is time? If no one asks me, I know what it is. If I wish to explain it to him who asks, I do not know.”
Luckily for me, Bryan has already given us some pretty strong clues about how to interpret his novel Entanglement. In particular, the notion of whether or not the past and future are 'really' there is canvassed quite extensively:
Somewhat stranger than this, to me at least, is the question of how real the past and future are. Most of us have an intuitive sense that events in the past (e.g. the French Revolution) are no longer happening and that the future doesn’t exist until we, well, get there ... This corresponds with what has been called the “tensed” theory of time or “presentism.” But there are also proponents of what’s called the “block universe” or sometimes “eternalism.” By that way of thinking, the past, present and future all exist.
His Newsroom article on the subject even gives us the moment of inception of the book:
When I’m asked what led me to write Entanglement, I recall the moment some years ago that inspired it. It was a summer’s day. I was standing just outside my house, my family waiting for me inside, and felt, suddenly, as though I’d come back from the future, some darker time — though what the future was I didn’t know. My kids are so young again, I remember thinking. My wife and I are amazingly young, too.
I felt like I had been given another chance. I thought, There are so many mistakes I hadn’t yet made. It was a strange and powerful feeling, though it didn’t last — the moment passed. Or maybe the moment is still and eternally there in its little corner of the block universe ...
– Bryan Walpert, ‘Is time travel possible? Yes-ishNewsroom (3/3/22)
If you'd like to hear more about these weighty matters, please come along to the Devonport Library this coming Tuesday to listen to me and Bryan discussing his fascinating novel and the myriad questions it poses.

Once again, this event has been made possible by the Devonport Library Associates: chair Jan Mason, events organiser Paul Beachman, and publicity courtesy of Linda Hopkins.

Bryan Walpert is the author of four books of poems, most recently Brass Band to Follow (Otago UP), named among the top 10 poetry collections of 2021 by the NZ Listener. He is also the author of three books of fiction, including the novel Entanglement, short-listed for the Jann Medlicott Acorn Prize for Fiction at the 2022 Ockham New Zealand Book Awards. A Devonport resident, he is a Professor of Creative Writing at Massey University-Albany.






Sunday, August 14, 2022

Devonport Library Poetry Reading - Tuesday 23/8/22


The Devonport Library Associates present Jack Ross with Johanna Emeney, Elizabeth Morton, Lisa Samuels and Bryan Walpert, all eminent poets reading from their own works.

Jack is a recent editor of
Poetry New Zealand.

This event is part of Auckland Libraries’ We Read Auckland | Ka Pānui Tātau I Tāmaki Makaurau.



The idea of this reading, which coincides with the beginning of the Auckland Writers Festival, is to celebrate the reopening of the Devonport Library's event series - after a couple of years of pandemic-prompted closures - with a showcase of local, North Shore-based poets.

Each writer will have the chance to read a representative sample from their work. Their latest books will also be on sale, thanks to our friends at Paradox Books.

The real heroes of the occasion are, however, the Devonport Library Associates: chair Jan Mason, events organiser Paul Beachman, and publicity courtesy of Linda Hopkins.

Johanna Emeney lives with her husband David and a family of cats, goats, sheep and ponies. Jo’s latest book, co-written with Sarah Laing, launches on September 7th, 6pm at Takapuna Library. Sylvia and the Birds is part-biography of Bird Lady Sylvia Durrant and part call-to-arms for young environmental activists.

Johanna Emeney: Felt (2021)


Elizabeth Morton is an Auckland writer, with three collections of poetry, the latest being Naming the Beasts (Otago University Press). She holds an MLitt from the University of Glasgow, and is completing an MSc at Kings College London. Her writing has appeared in publications from New Zealand, the UK, the USA, Canada, Ireland, Australia and online.

Elizabeth Morton: Naming the Beasts (2022)


Jack Ross is the author of six poetry collections, most recently The Oceanic Feeling (2021), as well as numerous works of fiction, including The Annotated Tree Worship, highly commended in the 2018 NZSA Heritage Book Awards. He was managing editor of Poetry New Zealand from 2014-2020, and has edited many other books, anthologies, and literary journals. He lives in Mairangi Bay and blogs at The Imaginary Museum.

Jack Ross: The Oceanic Feeling (2021)


Lisa Samuels is Professor of English at the University of Auckland and the author of eighteen books, mostly poetry, and of many influential essays on theories of interpretation and body ethics. Lisa also works with sound, visual art, film, and editing, including co-editing the anthology A Transpacific Poetics (Litmus Press 2017). Her most recent poetry book is Breach (Boiler House Press 2021), and a Serbian translation of her novel Tender Girl has just been published by Partizanska Press.

Lisa Samuels: Breach (2021)


Bryan Walpert is the author of four books of poems, most recently Brass Band to Follow (Otago UP), named among the top 10 poetry collections of 2021 by the NZ Listener. He is also the author of three books of fiction, including the novel Entanglement, short-listed for the Jann Medlicott Acorn Prize for Fiction at the 2022 Ockham New Zealand Book Awards. A Devonport resident, he is a Professor of Creative Writing at Massey University-Albany.

Bryan Walpert: Brass Band to Follow (2021)







Bronwyn Lloyd: Jack as MC (23rd August, 2022)


Thursday, May 31, 2018

Can Poetry Save the Earth?



Our Changing World: Public Lecture Series
(Albany Campus, Massey University, 2018)


What the ...? Of course not, I hear you say. And, naturally, I have a good deal of sympathy with this view. I took the title from Paul Celan-biographer John Felstiner's intriguingly named book Can Poetry Save the Earth?: A Field Guide to Nature Poems. My unfortunate colleagues Jo Emeney and Bryan Walpert have been forced to live with it.



John Felstiner: Can Poetry Save the Earth?: A Field Guide to Nature Poems (2009)


This particular public lecture is by all three of us, you see, but unfortunately I was the one who sent in the rubric for it, some time in the balmy summer days of last year, when all such tiresome things seemed an awful long way off. Now, alas, it's hard upon us:



Not only that, but this:

Watch online

These public lectures are available to view online via webcasts.
If you can’t join us in person, why not join online?
Watch Webcast Live via these links
(will be stored so can also be watched after the event):
https://t.co/QDcbKgvkKw


Here's yet another announcement from the Massey website:


Book and flowers Can poetry save the Earth? 

Thursday 31 May 2018  | Associate Professor Bryan Walpert, Dr Jack Ross, Dr Jo Emeney
Can Poetry Save the Earth? A Field Guide to Nature Poems is the title of poet and critic John Felstiner's 2009 exploration of how the human and natural worlds connect. Can writing and reading poetry change both? It’s a question that resonates with one of the most pressing issues of our time – the impact of climate change. Poets and editors Associate Professor Bryan Walpert, Dr Jack Ross and Dr Jo Emeney, from Massey’s creative writing programme, discuss how imagination and thinking about nature can be opened up through poetry and will read from their own work.


And here's the text of an article our wonderful communications director Jennifer Little wrote about the whole extravaganza:

Can poetry save the Earth?




Can reading, writing and studying poetry have any relevance to how we think about and respond to increasingly grim environmental issues? A trio of award-winning poets, editors and creative writing lecturers from the School of English and Media Studies will share their ideas on this intriguing notion in a public lecture.

In Can poetry save the Earth? (Thursday 31 May at 6:30pm), Associate Professor Bryan Walpert, Dr Jack Ross and Dr Jo Emeney will explore the idea that writing and reading poetry can connect us to the natural world in a way that resonates with one of the most pressing issues of our time – the impact of climate change.

They will discuss how imagination and thinking about nature can be opened up through poetry, and will read their own and others’ work – from home grown greats such as Hone Tuwhare and Brian Turner to American poet Robert Frost and Romantic English poet John Clare. It is the fourth of ten free public lectures in the 2018 Our Changing World series, featuring speakers from the College of Humanities and Social Sciences.

They’ve borrowed their lecture title from Can Poetry Save the Earth? A Field Guide to Nature Poems - poet and critic John Felstiner's 2009 exploration of how the human and natural worlds connect.

While Felstiner may have intended just to give his book a catchy title, “Poetry and poets can use their sway to agitate for change. Why else would so many of us be put in prison?” says Dr Emeney.

“I can think of at least one example where the use of a chemical pesticide (DDT) was banned across the United States as a direct result of a book on the subject written by a poet.”

“I think Felstiner chose the title in a teasing way, since it's so obvious that poetry can't save the Earth. It gets more interesting when you start to question ‘why not’, though,” says Dr Ross. “Why couldn't it at least help? Doesn't poetry - by its nature - suggest certain attitudes which might be of value in keeping us alive?”

“I don’t think a particular poem is likely to save the Earth,” Dr Walpert says, “but I think that poetry as a whole can have an important effect on the way we think about the problems around us.”


Eco-poetry voices 21st century concerns



While there are and always have been ‘nature poets’, there’s now a complete school of thought, with learned journals, anthologies, and growing bodies of work called ‘eco-poetry,’ says Dr Ross.

He and Bryan have co-supervised a PhD thesis in this relatively new, cross-disciplinary field. “I don't see how one can be a poet and not be aware of your environment, regardless of what that awareness actually means or constitutes,” he says.

“Poetry is about respect, about making sure that in future we listen more carefully to the voices who've been warning about this for so long: before Rachel Carson [ecological prose poet and author of the ground-breaking 1962 environmental science book Silent Spring], even, and all the way back to John Clare [19th century English poet) and [Romantic English poet and painter] William Blake (those 'dark satanic mills’).

“Perhaps in the current context,” says Dr Walpert, “at a time when we are so overwhelmed with digital waves of language and such a public experience of it, much of it without nuance – private experiences of language that take more than a few seconds to read, that bear re-reading, and that embrace complexity have a particular value.”

Bios

Dr Jo Emeney has written two poetry collections: Apple & Tree (Cape Catley 2011), and Family History (Mākaro Press 2017), as well as a recent nonfiction book, The Rise of Autobiographical Medical Poetry and the Medical Humanities(ibidem Press 2018).

Dr Jack Ross is managing editor of Poetry New Zealand, New Zealand’s oldest poetry journal (now published by Massey University Press), as well as author of several poetry collections, including A Clearer View of the Hinterland (2014).

Associate Professor Bryan Walpert has published several collections of poetry in the US, the UK and New Zealand, most recently Native Bird (Makaro Press); a collection of short fiction, Ephraim’s Eyes, which includes the short story, 16 Planets, that won the climate change themed Royal Society of New Zealand Manhire Award for fiction. He’s also written two scholarly books on poetry, Resistance to Science in Contemporary American Poetry and the recently published Poetry and Mindfulness: Interruption to a Journey.

Lecture details:
Can poetry save the Earth? 31 May, 6.30pm: Sir Neil Waters Lecture Theatre (SNW300), Massey University Auckland campus, Albany.
Register at massey.ac.nz/ourchangingworld


If all that hasn't put you off, feel free to put in an appearance tonight at the lecture. Failing that, you can see the poems I'm going to be reading as well as the images from my powerpoint here, on my Papyri website. (Hint: it's likely to involve both Paul Celan and John Clare):



Gisèle Celan-Lestrange (1927-1991): "Etching"





[all pictures of the event courtesy of Bronwyn Lloyd]:


Jo Emeney, Bryan Walpert & Jack Ross