2,000,000+ Hits!

2,000,110 Pageviews (5/8/2024)

I wrote a post a little over five years ago about breaking the million hit barrier on this blog. I'm glad to see that the traffic must have more than doubled over this period, as it took me more than a dozen years to reach that original figure.

1,000,000 Pageviews (14/6/06-6/12/18)

As I said in that earlier post:

I find it rather amazing that this most self-indulgent of websites, dedicated to so many subjects which I suspect I'm quite unusual in finding fascinating - bibliography, ghosts, poetry, the 1001 Nights, poetry readings and book-launches - should have clocked up so many individual hits ...

Frequency of hits

Admittedly some of the more recent increase in traffic took place during the Covid lockdowns, when people were more prone to itinerant scrolling. However, if anything, the number of hits on my posts seems to have grown over the past few months, as you can see from the graph above.

Mind you, I do understand what a blunt instrument such counters can be. There's nothing qualitative about this data. A long read of a post will show up just the same as a momentary glance at a headline or an image.

Location of hits

They're not all from me, either. There's a little link you can click on to make sure that your own pageviews don't get counted in the total, otherwise it would all seem a bit incestuous.

Countries of origin

And as for the countries the hits are coming from, why so many from France, for instance? Why more from Russia (and Singapore) than from New Zealand? It's hard to reach clear conclusions about such matters, beyond noting the bare facts.

More to the point, though, I recently conducted a census of all the various websites I operate (you can find a complete list of them here, if you're curious). The nearest contender to this one, The Imaginary Museum, was my book collection site, A Gentle Madness, which has reached 439,131 pageviews. Most of the others were considerably less than that - though I was pleased to see that our Aotearoa New Zealand Poetry Sound Archive site has clocked up 319,446 hits.

In total, they came to approximately four and a half million pageviews, so I'd have to say that this long experiment on online writing / publishing must be seen as a success. I don't see how I could ever reached anything like that number of people by conventional means.

I know that blogs are now considered passé - but then the same fate seems to overtake each new social media platform in turn: even the giants of the internet, Instagram, X [the site formerly known as Twitter], Tik-tok et al. Enforced obsolescence pursues us all.

For my own part, though, I still like blogs. They're a great way to comment on the world around you - albeit usually to a very specialised sub-tribe of users. In my case this includes bookhounds and pop culture vultures generally.

Favourite Posts (5/8/24)

Pageviews (6/12/18)

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Fifteenth Anniversary (Crystal)

Crystal

I started this blog on the 14th of June, 2006, so this is the fifteenth anniversary of The Imaginary Museum. Ten years ago I put up a post which listed five major web projects I'd undertaken in the first five years of the blog's existence, and five years ago I published a follow-up, with five more projects undertaken between 2011 and 2016.

The statistics on the blog are interesting. It took till December 2018 for it to break the "Million-hit Barrier", and another two years after that to reap another quarter million hits, so I guess I must be averaging a fairly consistent 125,000 per year (10,400 per month / 2,400 per week / 340 per day). I only have 100-odd followers, so there must be a pretty consistent number of returns on online searches to build up that amount of traffic.

Pageviews (6/12/2018)

Comments are way down from what they used to be. I don't take that too personally, as that seems to be the case for most blogs nowadays - certainly ones that include moderation. I get a large number of comments from spammers pretending to be successful members of the Illuminati every since I put up a mildly sarcastic post on the subject a few years ago now ("Worried about the Illuminati?"). You'd think that the date it was posted - April 1, 2016 - would offer some clue to its nature, but apparently not.

My web-based endeavours do seem to have slowed down a bit, but there are still some reasonably substantial ones to list below. Here they are, then, in (rough) chronological order:

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2016:




1. (December 2, 2016- ) Jack Ross: Showcase.



This ... is meant more as a vitrine than a catalogue: the closest simulacrum I can achieve online to my own personal cabinet of curiosities.

- Jack Ross. "Site-map" (2016)

For a long time now I've maintained a large, quite complex site called Works and Days as a combination curriculum vitae / comprehensive list of publications (and reviews of same). Even I find it a bit difficult to navigate at times, though, so I decided to make a more streamlined showcase site where I could display my major publications in a convenient, easy-to-reference style.

The idea is to maintain both sites in tandem: to put everything of interest on the first site, and to select only those few details likely to concern others on the second. It's a bit difficult to gauge the success of the endeavour so far, but I do feel the medley of covers and titles combine to make an attractive design.




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2017:




2. (September 19, 2017- ) Paper Table.



A few years ago I participated in a fairly haphazard and poorly organised book fair ... The book table that I was helping out at was decorated with a selection of paper models I had made, designed to catch people’s attention, make our table seem more welcoming, and hopefully generate a few sales as a result ...
At a certain point in the day, a little girl approached us. She was about eight years old and she asked if she could buy the paper table from our display. She held out $15.00 to pay for it. Of course, I gladly gave her the table for free, and for some time afterwards I glimpsed her walking around the large room, the paper table carefully balanced on the palm of her hand, staring at it with an expression of utter delight.

- Bronwyn Lloyd. "Mission Statement" (2017)

Having published a number of books through our Arts-oriented small publisher Pania Press, Bronwyn Lloyd and I decided to move into fiction publishing with this new endeavour. Specifically, we hoped to put out a series of novellas which could contribute to the richness of this form in New Zealand writing.

Unfortunately the costs and organisation involved proved more than anticipated, and we were forced to suspend the series after the first three volumes had appeared. It was a nice idea while it lasted, though, and we may well return to it at some point in the future if the commercial balance of such initiatives tips our way again.

The three books that did appear were as follows:



• Leicester Kyle. Letters to a Psychiatrist. Afterword by Jack Ross. Paper Table Novellas, 1. Auckland: Paper Table, 2017.
• Jack Ross. The Annotated Tree Worship: Draft Research Portfolio. Paper Table Novellas, 2 (i). Auckland: Paper Table, 2017.
• Jack Ross. The Annotated Tree Worship: List of Topoi. Paper Table Novellas, 2 (ii). Auckland: Paper Table, 2017.




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2018:




3. (September 20, 2017-March 2019) Poetry NZ Review: Local Poetry Books in Review.



As in the print edition of the magazine, there are a lot of opinions on display in the Poetry New Zealand Review. Some of them the editors may happen to agree with, others not. A well-argued point merits its own space, however, and we see our function on this site more as curators than as advocates of particular views.

- Jack Ross. "Guiding Principles" (2017)

I had hoped to make this a more substantial site, featuring year-round reviews of poetry books which weren't able to be fitted in the annual volumes of Poetry New Zealand Yearbook. However, my interest in the project began to wane after I decided to give up the managing editorship of the magazine after six years and six issues (five edited by me directly, one edited by Dr Jo Emeney).

It's a shame, as I think it could have been a useful resource for recording the immense stream of published poetry - much of it of high quality - which appears each year in New Zealand from small presses as well as established publishers. Now that Poetry New Zealand has moved to Waikato under Tracey Slaughter's editorship, I feel that I might just leave the site as it is for the present. Who knows? The time may come to revive it in one form or another.




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2019:




4. (October, 2019) The Lonesome Death of Brigid Furey. Ka Mate Ka Ora 17: 62-79.



It is some years now since I tried to contact Bridget Furey, the elusive and enigmatic poet whom Jack Ross discusses in his beguilingly performative essay ‘The Lonesome Death of Bridget Furey or: Pessoa Down Under.’ The nearest I got, when I wrote to the only and clearly out-of-date address I had, was to reach Bridget’s older, doting sister, Maud (Maudlin) Furey. Maud replied to me by snail mail (as I had written to Bridget). She explained that her brilliant, but implicitly erratic, sister had long since done with poetry. And the next sentence hinted that she might have long since done with life itself, too. But Maud did not elaborate or unpick her dark hints. All she added was: “I wish she hadn’t!” Then Maud had copied out by hand into the letter a text message, which she said was the last communication she had received, quite a while ago now, from her sister, and that she feared that would be the final: “Out on the margins the oddballs bounce the highest.” And that was all. Except for a PS added in tiny letters (Maud’s hand-writing was very neat and small) beneath her signature: “My sister overdosed on life – I wish I had.”
Bridget Furey’s characteristically enigmatic text comes into sharp and meaningful focus when applied to this issue of Ka Mate Ka Ora. This is an issue of high-bouncing oddballs ...

- Murray Edmond, "Editorial Notes: Out on the Margins the Oddballs Bounce Highest." Ka Mate Ka Ora 17 (October 2019)

This article - in full: "The Lonesome Death of Bridget Furey, Or: Pessoa Down Under,” & (ed.) ‘The Complete Poetical Works of Bridget Furey (1966-c.1997)'" - started off as a paper on the influence of Portuguese Modernist poet Fernando Pessoa on a number of Antipodean writers, which I delivered in mid-2018 at the 15th International Conference on the Short Story in English in Lisbon, Portugal.

I had originally intended to write it up for the Conference Proceedings, but the editors felt (not unreasonably) that it was more focussed on poetry than short fiction. I therefore rewrote it substantially for our local New Zealand Journal of Poetry and Poetics, Ka Mate Ka Ora, based at my old alma mater the University of Auckland.




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2020:




5. (January 1, 2018 - September 4, 2020) NZSF: The Psychogeography of New Zealand Speculative Fiction.



George Bernard Shaw and E. M. Forster were great admirers of the later Samuel Butler, who brought a new tone into Victorian literature and began a long tradition of New Zealand utopian/dystopian literature that would culminate in works by Jack Ross, William Direen, Alan Marshall and Scott Hamilton.

- "Samuel Butler (novelist)." Wikipedia (accessed 17 August 2020)

I originally planned to collect all the various articles and reviews I've written about NZSF between covers as a rather discursive history of the topic, but the publishers I submitted it to seemed to feel that it fell between two stools: two nerdy to appeal to "general readers" (whoever they may be), and too anecdotal and personal to please an Academic public.

However, I think they might have done me a favour, as I feel far more comfortable with this online version of the project. It has the great virtue of being able to be expanded and revised continuously, and it's also far more colourful and image-rich than anything short of a coffee-table book would have allowed me to be.

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So what does the future hold for this blog - and for the bloggy empire to which it constitutes the gateway (38 at last count)? Who can truly say? These are deep waters, Watson.

More of the same, no doubt, but perhaps it might be a good idea to learn to expend my energy in ways which make more sense to the Academic authorities presiding over my professional development: PBRF [Performance-Based Research Funding, for those of you lucky enough not to be in the know], for instance ...

Nah, just kidding.

Geoff Murphy, dir. The Quiet Earth (1985)

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Breaking the Million-Hit Barrier

Pageviews

I definitely feel like breaking out the champagne today. One million hits on my blog! That seems like quite a lot to me.

It all started in 2010, when they introduced a new feature on blogspot which made it possible to access easily a range of vital statistics about your site/s. As well as the basic count of how many hits each blogpost achieved, you could study your main sources of traffic, the ways in which visitors accessed your site, and other intriguing pieces of trivia.

Pageviews 2010-18

I started The Imaginary Museum back in 2006, so I'm not sure if those earlier posts (half of the 462 to date) are included in the tally. Whether they are or not, though, I find it rather amazing that this most self-indulgent of websites, dedicated to so many subjects which I suspect I'm quite unusual in finding fascinating - bibliography, ghosts, poetry, the 1001 Nights, poetry readings and book-launches - should have clocked up so many individual hits over the past eight years.

Top-earning posts

Mind you, I do understand what a blunt instrument such counters can be. There's nothing qualitative about this data. A long read of a post will show up just the same as a momentary glance at a headline or an image.

They're not all from me, either. There's a little link you can click on to make sure that your own pageviews don't get counted in the total, otherwise it would all seem a bit incestuous.

Pageviews by countries

And as for the countries the hits are coming from, why so many from Russia, for instance? Why more from Belgium than from Australia? It's hard to reach clear conclusions about such matters, beyond noting the bare facts.

More to the point, though, I recently conducted a census of all the various websites I operate (you can find a complete list of them here, if you're curious). The nearest contender to The Imaginary Museum was my book collection site, A Gentle Madness, which has reached 276,970 pageviews. Most of the others were considerably less than that - though I was pleased to see that my Leicester Kyle site had clocked up more than 50,000 hits.

In total, they came to more than 3,000,000 pageviews, so I'd have to say that this long experiment on online writing / publishing must be seen as a success. I don't see how I could ever reached anything like that number of people by conventional means.

No doubt Whale Oil and the Daily Blog get more than that number every hour, but then they are targetting a rather different audience.

Pageviews today

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Imaginary Museum stats (22/12/20)

[Postscript - 30th December 2020]:

As you'll see from the above, it's taken me roughly two years to collect another quarter of a million hits here on the Imaginary Museum. In the meantime, there's been a complete redesign of the editing platform, so the results present somewhat differently.

All-time Pageviews (30/12/20)

Here's how the pageviews break down over the past ten years. And below you can see a list of the top posts on the blog to date. I guess it means that there's some kind of an audience for my wares out there - it certainly makes me feel more like persevering with it, for the time being, at any rate.

Top-scoring posts