Tuesday, May 13, 2008

Car Epics




I guess it's been quite a while since I put up a post about the joys of listening to poetry on the car stereo while stuck in Auckland traffic. Since then I've been branching out a bit and checking out the recordings I like the most.

All of which is a preliminary to sharing my own - very subjective - list of best recordings of epics for such purposes (see also the supplementary list above):


1 - Homer: The Iliad (c. 850 BC)

a) translated by William Cowper (1791)
read by Anton Lesser
Naxos AudioBooks, 1995
3 CDs (abridged)

A bit too stilted and mannered for me - traditional verse translations don't work as well as prose when it comes to audiobooks, I think.


b) translated by Robert Fagles (1990)
read by Derek Jacobi
Penguin Audiobooks, 1993
6 cassettes (abridged)

A brilliantly vivid version in modern verse, read in a rather mannered way by (I, Claudius) Jacobi in every voice he can muster.


c) translated by Ian Johnston (2002)
read by Anton Lesser
Naxos AudioBooks, 2006
13 CDs (complete)

Pretty definitive, I should imagine.



2 - Homer: The Odyssey (c. 850 BC)

a) translated by William Cowper (1791)
read by Anton Lesser
Naxos AudioBooks, 1995
3 CDs (abridged)

As above about his Iliad. Cowper's Miltonic blank verse works fine on the page but not so well on the radio - Anton Lesser gives it a good go, though.


b) translated by E. V. Rieu (1945)
read by Alex Jennings
Penguin Audiobooks, 1995
6 cassettes (abridged)

Alex Jennings may be less adept as a reader than Derek Jacobi, but this is nevertheless an amazingly effective version. It quite transformed my last roadtrip around the South Island.


c) translated by Robert Fagles (1996)
read. by Ian McKellen
Penguin Audiobooks, 1996
12 cassettes (complete)

Translation great, Ian McKellen excellent, but it's surprising just how much of the poem concerns Odysseus wandering around Ithaca. Abridged versions tend to shorten all that return-of-the-native stuff considerably.


d) translated by Ian Johnston (2002)
read by Anton Lesser
Naxos AudioBooks, 2007
10 CDs (complete)

Again, pretty definitive.



3 - Virgil: The Aeneid (c. 30-19 BC)

a) translated by Robert Fitzgerald (1983)
read by Christopher Ravenscroft
Highbridge Company, 1995
8 CDs (abridged)

Ravenscroft, who used to be on Ruth Rendell's Wexford series, has a rather nasal voice, but it's fascinating to hear so much of Aeneas's adventures in Italy, normally glossed over in the selected versions. Fitzgerald's translation is fantastic - the only drawback about this version is that it is slightly abridged, otherwise I'd be to look no further.


b) translated by C. Day Lewis (1952)
read by Paul Scofield et al.
Naxos AudioBooks, 2002
4 CDs (abridged)

Partly dramatised and very selective - great for the bits it does do, though. Paul Scofield has the perfect hollow, echoing voice for the narrator of so spooky a poem.


c) translated by Robert Fagles (2006)
read by Simon Callow
Penguin Audiobooks, 2006
10 CDs (complete)

A spirited translation in a rather plummy rendition.



4 - Ovid: Metamorphoses (c. 8 AD)

[a) translated by Charles Boer (1989)
read by Noah Pikes
Spring Publications, 1994
1 cassette (abridged)]

I haven't actually heard this, but it gets a very bad review on the Amazon.com site. Boer's complete translation is great to read in book from, though.


[b)Tales from Ovid
translated & read by Ted Hughes (1995)
Penguin Audiobooks, 2000
1 CD (abridged)]

I haven't heard this, either (out of print), but Ted Hughes is usually a pretty good reader.


c) translated by Frank Justus Miller (1916)
read by Barry Kraft
Blackstone Audiobooks, 2008
12 CDs (complete)

Kraft has the most grating, mid-western voice imaginable, but at least he's audible and pretty consistent in his range of tones. That's a very important consideration when one's trying to listen to something over the roar of traffic. A very bald prose translation (from the Loeb Classics) is actually an excellent choice for reading aloud - and it is complete.



5 - Beowulf (c. 800 AD)

a) translated by Michael Alexander (1972)
read by David Rintoul (2000)
Penguin Audiobooks, 1997
2 cassettes (complete)

Excellent, informative translation in a spirited reading.


b) translated & read by Seamus Heaney (1998)
Penguin Audiobooks, 2000
3 CDs (abridged)

And yet, I have to admit, that - while he doesn't follow the strict rules of Anglo-Saxon alliterative verse (unlike Michael Alexander above), there's a real difference between a poet's rendering of a great poem, and an academic's. Heaney makes a riveting story out of the ancient epic - the hype that surrounded his translation when it first came out certainly seems justified by this masterly reading.


[c) translated by Benedict Flynn (2006)
read by Crawford Logan
Naxos Audiobooks, 2006
3 CDs (complete)]

I hadn't realised that the Penguin Audiobook recording of Michael Alexander's translation is actually complete, or I don't know that I would have bothered with this one as well ...



6 - Dante: The Divine Comedy (c. 1300-1321)

a) translated by Benedict Flynn (1998)
read by Heathcote Williams
Naxos AudioBooks:

  • Inferno (2004)
    4 CDs (complete)

  • Purgatory (1998)
    3 CDs (complete)

  • Paradise (2004)
    4 CDs (complete)



I have nothing but praise for this. I don't really like Heathcote Williams as a poet, but as a reader he's amazing. The choice of a literal prose version was also very wise - rather than mucking around with all the - essentially futile - attempts to naturalise terza rima into English. It's hard to imagine this being bettered, except (for Italian speakers) for this complete version read in the original.



7 - The Thousand and One Nights (c. 800-900 AD)

a) translated by Sir Richard F. Burton (1885)
read by Philip Madoc
Naxos AudioBooks, 1995
3 CDs (abridged)

A poor selection from Burton's immense masterwork. The reading is okay but it's hard to see the logic behind the audiobook as a whole.


b) translated by N. J. Dawood (1954-57)
read by Souad Faress & Raad Rawi
Penguin Audiobooks, 1995
4 cassettes (abridged)

A witty and musical reading -- the stories are well chosen and the whole makes good sense. More, please!



8 - Sir Gawain and the Green Knight (c. 1400)

a) translated by J. R. R. Tolkien (1975)
read by Terry Jones
HarperCollins, 2007
4 CDs (complete)

A sinuous and complex set of poems, in a bluff, hearty reading by Monty Python's Jones. Again, you owe it to yourself to check this out, especially if you're unfamiliar with the originals - one of the great, thorny masterpieces of medieval poetry.



9 - Milton: Paradise Lost (1667)

a) read by Anton Lesser
Naxos AudioBooks, 2005
9 CDs (complete)

Great stuff. Lesser has a slightly whiney voice, which suits the Prince of Darkness very well. What better way to encounter the greatest epic poem in the English language? A complete Faerie Queene would be nice, too - but so far only selections are available.

Wednesday, May 07, 2008

20 Favourite 20th-Century Novels



I guess this is a recipe for disaster, really. Once you get going it's very difficult to confine yourself to just twenty. The idea was prompted by looking at the line-up in the Auckland University English course "Novels since 1900," formerly convened and taught by the late David Wright. His list of eight - or nine, depending on whether you count John Barth as one or two books - was as follows:

It sure got me thinking, though. I've had to settle on a couple of lists (I'm sorry to say, since the point was supposed to be conciseness): one of English-language novels, one of foreign-language novels I've only read in translation. It's a desperately subjective list. See what additions (and subtractions) you'd like to make yourself:
  1. Joseph Conrad, Nostromo (1904)
  2. F. Scott Fitzgerald, The Great Gatsby (1925)
  3. Virginia Woolf, To the Lighthouse (1927)
  4. William Faulkner, The Sound and the Fury (1929)
  5. Mervyn Peake, The Gormenghast Trilogy (1946-59)
  6. J. R. R. Tolkien, The Lord of the Rings (1954-55)
  7. Vladimir Nabokov, Lolita (1955)
  8. Janet Frame, Owls Do Cry (1957)
  9. Lawrence Durrell, The Alexandria Quartet (1957-60)
  10. William Burroughs, Naked Lunch (1959)
  11. Philip K. Dick, Ubik (1969)
  12. Angela Carter, The Infernal Desire Machines of Dr Hoffmann (1972)
  13. Ursula K. Le Guin, The Dispossessed (1974)
  14. Patrick White, A Fringe of Leaves (1976)
  15. Kathy Acker, Blood and Guts in High School (1978)
  16. David Malouf, An Imaginary Life (1978)
  17. Troy Kennedy Martin, Edge of Darkness (1985)
  18. Dennis Potter, The Singing Detective (1986)
  19. Alan Moore, Watchmen (1986-87)
  20. Salman Rushdie, The Satanic Verses (1988)


I've cheated by putting in some trilogies and quartets of novels, but I guess I could settle on just one from each series if you want to get really purist about it. Obviously I had the advantage of being able to leave out all of David Wright's authors, also.

There are other features which some might find unusual: two TV-series, each of which seems to me every bit as complex and "written" as a great novel; two Sci-Fi novels; two Fantasy novels; one graphic novel; Australian and NZ authors jostling with the Americans and Brits ... Anyway, there it is.

If I could have, I'd have liked to fit in Kingsley Amis's Lucky Jim (1954); Anthony Burgess's A Clockwork Orange (1962); Leonard Cohen's Beautiful Losers (1966); William Golding's Pincher Martin (1956); Philip Larkin's A Girl in Winter (1947); C. S. Lewis's Perelandra (1943); Malcolm Lowry's Under the Volcano (1947); Gerald Murnane's The Plains (1982); John Cowper Powys's A Glastonbury Romance (1932); Mary Renault's The King Must Die (1958); Vikram Seth's A Suitable Boy (1994) -- something by Hemingway (A Farewell to Arms (1929) is probably my favourite), Kerouac (of course On the Road (1957)); D. H. Lawrence (perhaps Women in Love (1920)?); Wyndham Lewis (The Childermass (1928)); Norman Mailer (Ancient Evenings (1983)?); Henry Miller (Tropic of Cancer (1934)?); Steinbeck (I guess it would have to be The Grapes of Wrath (1939)); Gertrude Stein (The Autobiography of Alice B. Toklas (1933)?); Evelyn Waugh (Brideshead Revisited (1945)?); and lots more graphic novels (including Blankets (2003), pictured above) but everything you put in means that something else has to come out. That's how I understand the rules of the game, at any rate.

Here's my companion list of foreign language novels (equally contentious, I hope):

  1. Jaroslav Hasek, The Good Soldier Svejk (1912-23)
  2. Marcel Proust, In Search of Lost Time (1913-27)
  3. Thomas Mann, The Magic Mountain (1924)
  4. Franz Kafka, The Castle (1926)
  5. Mikhail Bulgakov, The Master and Margarita (1928-40)
  6. Hermann Hesse, The Glass Bead Game (1943)
  7. Junichiro Tanizaki, The Makioka Sisters (1943-48)
  8. Italo Calvino, Our Ancestors (1952-59)
  9. Naguib Mahfouz, The Cairo Trilogy (1956-57)
  10. Boris Pasternak, Doctor Zhivago (1957)
  11. Stanislaw Lem, Solaris (1961)
  12. Mario Vargas Llosa, The Green House (1965)
  13. Milan Kundera, The Joke (1967)
  14. Gabriel Garcia Marquez, One Hundred Years of Solitude (1967)
  15. Alexander Solzhenitsyn, The First Circle (1968)
  16. Augusto Roa Bastos, I, the Supreme (1974)
  17. Gunter Grass, The Flounder (1978)
  18. Georges Perec, Life: A User's Manual (1978)
  19. Marguerite Duras, La Douleur (1985)
  20. Haruki Murakami, The Wind-Up Bird Chronicle (1992-95)


No Brazilian writers there, I'm afraid: Jorge Amado or Clarice Lispector. No Chinese novelists either: I simply don't know their work well enough.

Monday, May 05, 2008

New NZ Poets by Theme


[Seraphine Pick, "He"]

I like typewriters because they are always turned on.
– Will Christie


Here's a thematic breakdown of the 97 tracks in our New NZ Poets in Performance anthology (Auckland: AUP, 2008). The categories are pretty subjective, and could undoubtedly be improved on. Maybe that’s not such a bad starting point for discussion, though: what's the poem really about?

ANIMALS

Tusiata Avia: My Dog
Anna Jackson: Takahe
Anne Kennedy: Cat Tales
Thérèse Lloyd: Forecast
Chris Price: Keeping Ravens

CHILDHOOD

James Brown: The Crewe Cres Kids
Andrew Johnston: How to Talk
Jenny Powell-Chalmers: Lunchbox
Sonja Yelich: whangaparaoa – on the sundeck

ELEGY

Glenn Colquhoun: On the death of my grandmother
Andrew Johnston: The Present
Jack Ross: Except Once

FAMILY

Anna Jackson: In a Minute
Andrew Johnston: Les Baillessats
Anne Kennedy: Whenua (2)
Emma Neale: You’re Telling Me

FANTASY & IDENTITY

Nick Ascroft: All of the Other Ascrofts are Dead
James Brown: Loneliness
Anna Jackson: The hen of tiredness
Andrew Johnston: How to Walk
Kapka Kassabova: A city of pierced amphorae
Kapka Kassabova: Preparation for the big emptiness
Thérèse Lloyd: Scorpion Daughter
Emma Neale: Confessional Poem
Jenny Powell-Chalmers: Linda
John Pule: Restless People – Ka hola
John Pule: Restless People – He
Sarah Quigley: Restless
Tracey Slaughter: biography day

FRIENDSHIP

Jenny Bornholdt: Rodnie and her Bicycles
Anna Jackson: On the Road with Rose
Robert Sullivan: V Honda Waka

HISTORY & POLITICS

James Brown: Soup from a Stone
Lynda Chanwai-Earle: Gasp
David Howard: Social Studies
Mark Pirie: Making a Point
Mark Pirie: The Third Form
Robert Sullivan: Waka 70 i Matakitaki
Robert Sullivan: Waka 62 A narrator’s note

LANDSCAPE & LOCALITY

Tusiata Avia: My First Time in Samoa
Serie Barford: God is near the equator
Jenny Bornholdt: Weather
Kate Camp: Backroads
Kapka Kassabova: My life in two parts
John Newton: Lunch
John Newton: Ferret Trap
John Newton: Inland
Gregory O’Brien: Epithalamium, Wellington
Jenny Powell-Chalmers: Carnival of Chocolate
Sarah Quigley: New York Four
Richard Reeve: Ranfurly
Sonja Yelich: narrow neck from the boat ramp

LANGUAGE & WRITING

Nick Ascroft: The Badder & the Better
James Brown: The Day I Stopped Writing Poetry
John Newton: Opening the Book
Mark Pirie: Progress
Chris Price: Ghastlily
Robert Sullivan: Waka 46
Sonja Yelich: writing desk

LIFE, THE UNIVERSE & EVERYTHING

Jenny Bornholdt: Please, Pay Attention
Glenn Colquhoun: from Whakapapa
Kapka Kassabova: One morning like a sleeper
Gregory O’Brien: Numbers 1 & 2
John Pule: Restless People – Liogi
Richard Reeve: Victory Beach

LOVE

Gregory O’Brien: It will be better then
Gregory O’Brien: Solomon Singing
Gregory O’Brien: There is only one
Jack Ross: Idyll

PAIN & SUFFERING

Serie Barford: Plea to the Spanish Lady
Lynda Chanwai-Earle: Details from a Personal Journal
Glenn Colquhoun: Lost Property
Thérèse Lloyd: One Hundred Hours
Richard Reeve: Dark Unloading
Jack Ross: Disorder and Early Sorrow

PEOPLE

Nick Ascroft: Cheap Present
Jenny Bornholdt: Then Murray Came
Kate Camp: Guests
Glenn Colquhoun: She asked me if she took one pill for her heart …
Emma Neale: Spoken For
Emma Neale: Jane Coleridge
Emma Neale: Caroline Helstone
Jack Ross: A Woman Named Intrepid

RELATIONSHIPS & SEXUAL POLITICS

Tusiata Avia: Wild Dogs under my Skirt
Kate Camp: Postcard
Kate Camp: Documentaries
Kate Camp: Water of the Sweet Life
David Howard: On the Eighth Day
David Howard: Talking Sideways
Anne Kennedy: I was a feminist in the 80s
Mark Pirie: Good Looks
Chris Price: The Origins of Science
Tracey Slaughter: Anatomy of dancing with your Future Wife

SUBURBIA


Jenny Bornholdt: Bus Stop
Olivia Macassey: Outhwaite Park
Olivia Macassey: Outer Suburb
Sonja Yelich: 1YA