Penguin Poets in Translation

Harry Thomas, ed. Montale in English (2005)

We were in town on Thursday for the opening of Graham Fletcher's survey exhibition at the Gus Fisher gallery (which I greatly recommend for anyone who admires his wonderful "Lounge Room Tribalism" paintings). We had a bit of time to kill, which almost always means a visit to Jason Books in O'Connell Street. There I found this beautiful anthology of English translations of Eugenio Montale.

Thomas, Harry, ed. Montale in English. 2002. Handsel Books. New York: Other Press, 2005.

One of the most interesting things about it (from my point of view, at any rate) was that - although it had been put out by an American publishers - it was clearly intended for the 'Poets in Translation' series which Penguin were publishing around the turn of the millennium. In fact, the '2002' date above denotes an earlier UK publication which appears to have left few traces on the internet, at any rate.

There are two reasons for my being so pleased with this book. The first is that I do vaguely recall my friend Marco Sonzogni in Wellington mentioning that the reason he couldn't call his own anthology of English translations of Montale (which I'm included in) "Montale in English" was that there was already a book of that title. I hadn't actually seen a copy before, however.

Corno inglese. An Anthology of Eugenio Montale's Poetry in English Translation. Edited by Marco Sonzogni. ISBN-13: 978-88-7536-203-4. (Novi Ligure: Edizioni Joker, 2009)

Marco Sonzogni, ed. Corno Inglese (2009)

The second reason is because I'm always on the lookout for stray copies of Penguin Poets in Translation. There was a final volume of "Rilke in Translation" promised (to be edited by poet / translator Michael Hofmann), but this doesn't seem to have ever appeared. Who knows, though? I don't despair of finding it someday, lurking at the back of some shadowy shelf - perhaps alongside other volumes I know nothing about.

The brilliance of the concept for this series - surveying the entire history of English translations of certain representative poets who have exercised a huge influence over our poetry - was so striking that it's hard for me to believe that they can have sold poorly. The fact that they're so difficult to obtain might imply either that all of them were snapped up the moment they appeared, or that only small numbers of each title were produced. I don't know. All I know is that I lament their passing, and (especially) that the series was not continued.

Here are the volumes I know about: mostly classical Greek and Roman poets, with one Frenchman (Baudelaire), two Italians (Dante and Petrarch), and the Hebrew Psalms to vary the pattern. Why not Ronsard, though? or Mallarmé? Rimbaud, too, could easily flesh out such a volume. And then the great Russians: Akhmatova, Mandelstam, Mayakovsky, Pasternak and Tsvetayeva could easily have been featured, too.

Never mind. I guess not everyone is as keen on the subject of verse translation as I am. It is a hugely important part of poetic practice in English, though, and there's no better way of focussing a discussion of it than can be found in this beautiful series of books:

Homer in English


1. Homer in English, ed. George Steiner & Aminadav Dykman (1996)


Horace in English


2. Horace in English, ed. D. S. Carne-Ross & Kenneth Haynes (1996)


Martial in English


3. Martial in English, ed. John P. Sullivan & Anthony J. Boyle (1996)


The Psalms in English


4. The Psalms in English, ed. Donald Davie (1996)


Virgil in English


5. Virgil in English, ed. K. W. Gransden (1996)


Baudelaire in English


6. Baudelaire in English, ed. Carol Clark & Robert Sykes (1998)


Ovid in English


7. Ovid in English, ed. Christopher Martin (1998)


Seneca in English


8. Seneca in English, ed. Don Share (1998)


Catullus in English


9. Catullus in English, ed. Julia Haig Gaisser (2001)


Juvenal in English


10. Juvenal in English, ed. Martin M. Winkler (2001)


Dante in English


11. Dante in English, ed. Eric Griffiths & Matthew Reynolds (2005)


Petrarch in English


12. Petrarch in English, ed. Thomas P. Roche (2005)

Mind you, there are plenty of other books going under the title of "Penguin Poetry in Translation" or "poets in translation." There was another excellent series years ago of poetry anthologies in the original languages with literal prose translations underneath:

Penguin Book of Latin Verse

1. Woledge, Brian, ed. The Penguin Book of French Verse, 1 – To the Fifteenth Century: With Plain Prose Translations of Each Poem. 1961. The Penguin Poets. Ed. J. M. Cohen. Harmondsworth: Penguin, 1968.


2. Brereton, Geoffrey, ed. The Penguin Book of French Verse, 2 – Sixteenth to Eighteenth Centuries: With Plain Prose Translations of Each Poem. The Penguin Poets. Ed. J. M. Cohen. Harmondsworth: Penguin, 1958.


3. Hartley, Anthony, ed. The Penguin Book of French Verse, 3 – The Nineteenth Century: With Plain Prose Translations of Each Poem. The Penguin Poets. Ed. J. M. Cohen. Harmondsworth: Penguin, 1957.


4. Hartley, Anthony, ed. The Penguin Book of French Verse, 4 – The Twentieth Century: With Plain Prose Translations of Each Poem. 1959. The Penguin Poets. Ed. J. M. Cohen. Harmondsworth: Penguin, 1969.


5. Forster, Leonard, ed. The Penguin Book of German Verse, with Plain Prose Translations of Each Poem. The Penguin Poets. 1957. Harmondsworth: Penguin, 1959.


6. Bridgwater, Patrick, ed. Twentieth-Century German Verse, with Plain Prose Translations of Each Poem. The Penguin Poets. 1957. Harmondsworth: Penguin, 1963.


7. Trypanis, Constantine A., ed. The Penguin Book of Greek Verse: With Plain Prose Translations of Every Poem. The Penguin Poets. Harmondsworth: Penguin, 1971.


8. Kay, George R., ed. The Penguin Book of Italian Verse: With Plain Prose Translations of Each Poem. 1958. The Penguin Poets. Ed. J. M. Cohen. Harmondsworth: Penguin, 1960.


9. Brittain, Frederick, ed. The Penguin Book of Latin Verse: With Plain Prose translations of Each Poem. The Penguin Poets. Harmondsworth: Penguin, 1962.


10. Obolensky, Dmitri, ed. The Penguin Book of Russian Verse: With Plain Prose translations of Each Poem. 1962. Rev. ed. 1965. The Penguin Poets, D57. Ed. J. M. Cohen. Harmondsworth: Penguin, 1967.


11. Cohen, J. M., ed. The Penguin Book of Spanish Verse: With Plain Prose Translations of Each Poem. 1956. The Penguin Poets. Ed. J. M. Cohen. Harmondsworth: Penguin, 1960.


12. Caracciolo-Trejo, Enrique, ed. The Penguin Book of Latin American Verse: With Plain Prose Translations of Each Poem. Introduction by Henry Gifford. The Penguin Poets. Harmondsworth: Penguin, 1971.

Penguin Book of Latin American Verse

There were others in this series, also: Books of Chinese and Japanese Verse, and other poetry anthologies from other places, but these are the only ones I'm aware of which used this very, very useful convention of combining the original with the 'plain prose translations.' I for one have to admit to having used them extensively. The really exciting innovation was when they started putting out individual volumes for the truly great, canonical poets in each language, though:

Baudelaire

1. Baudelaire, Charles. Selected Poems: With Plain Prose Translations of Each Poem. Trans. Francis Scarfe. The Penguin Poets. Harmondsworth: Penguin, 1961.


2. Goethe, Johann Wolfgang von. Selected Verse: With Plain Prose Translations of Each Poem. Ed. David Luke. The Penguin Poets. Harmondsworth: Penguin, 1964.


3. Heine, Heinrich. Selected Verse: With Plain Prose Translations of Each Poem. Ed. Peter Branscombe. The Penguin Poets. Harmondsworth: Penguin, 1967.


4. Hölderlin, Johann Christian Friedrich. Selected Verse: With Plain Prose Translations of Each Poem. Trans. Michael Hamburger. The Penguin Poets. Harmondsworth: Penguin, 1961.


5. Lorca, Federico García. Lorca: With Plain Prose Translations of Each Poem. Trans. J. L. Gili. 1960. The Penguin Poets. Harmondsworth: Penguin, 1967.


6. Mallarmé, Stéphane. Mallarmé: With Plain Prose Translations. Ed. Anthony Hartley. 1965. The Penguin Poets. Harmondsworth: Penguin, 1970.


7. Pushkin. Selected Verse: With Plain Prose translations of Each Poem. Ed. John Fennell. The Penguin Poets, D71. Ed. J. M. Cohen. Harmondsworth: Penguin, 1964.


8. Rimbaud, Arthur. Collected Poems: With Plain Prose Translations of Each Poem. Ed. & trans. Oliver Bernard. 1962. The Penguin Poets. Ed. J. M. Cohen. Harmondsworth: Penguin, 1969.

Rimbaud

There may well have been more of these. The ones listed above are those I've come across myself. They don't use their usefulness over time, though. Other translations have a tendency to date, but these ones are purely functional, so my only complaint is that there weren't more of them!

Montale's Eel

[Begging eel (Motueka)]

I'm reliably informed (by Marco Sonzogni of Victoria University) that there are now more than fifty English-language versions of Eugenio Montale's famous lyric "L'anguilla" [The Eel], from his late collection La bufera ed altro [The Storm and Other Things] (1956).

So what's wrong with one more? (Mine's a little on the free side, as you'll observe from the version I've included underneath):

Eel


frigid ice-queen
of the Baltic
who quits her haunts

to plumb our river
mouths
branch to branch

capillary to capillary
deeper deeper
into the rock

writhing through ditches
till one day
a flash of light

glancing off chestnuts
ignites her
in the stagnant pond

eel
lightstick birchwand
Love’s arrow on earth

led downhill through
Apennine gullies
to green fields

still waters
through dust & drought
the spark that says

Just do it
when everything’s
burnt toast

your spitting
image
iris recognition

would suggest
mired in this life
can you not call her

sister?

Here's a more literal translation for anyone else who'd care to try their hand:

Eugenio Montale (1896-1981):
L’anguilla / The Eel



L’anguilla, la sirena
The eel, siren
dei mari freddi che lascia il Baltico
of the cold seas that quits the Baltic
per giungere ai nostri mari,
to come to our seas,
ai nostri estuari, ai fiumi
to our estuaries, to the rivers
che risale in profondo, sotto la piena avversa,
rising from the deep, under the downstream surge,
di ramo in ramo e poi
from branch to branch and then
di capello in capello, assottigliati,
from capillary to capillary, slimming itself down,
sempre più addentro, sempre più nel cuore
increasingly more inside, increasingly into the heart
del macigno, filtrando
of rock, infiltrating
tra gorielli di melma finché un giorno
between rills of mud until one day
una luce scoccata dai castagni
a light glancing off the chestnuts
ne accende il guizzo in pozze d’acquamorta,
lights her fuse in stagnant puddles,
nei fossi che declinano
in ravines cascading down
dai balzi d’Appennino alla Romagna;
from the flanks of the Apennines to Romagna;
l’anguilla, torcia, frusta,
eel, flashlight, birch,
freccia d’Amore in terra
arrow of Love on earth
che solo i nostri botri o i disseccati
that only our gullies or dried
ruscelli pirenaici riconducono
Pyrenean streams lead back
a paradisi di fecondazione;
to a paradise of insemination;
l’anima verde che cerca
the soul that seeks green
vita là dove solo
life there where only
morde l’arsura e la desolazione,
drought and desolation bite,
la scintilla che dice
the spark that says
tutto comincia quando tutto pare
everything begins when everything seems
incarbonirsi, bronco seppellito;
burnt to charcoal, a buried stump;
l’iride breve, gemella
brief iris, twin
di quella che incastonano i tuoi cigli
to the one your lashes frame
e fai brillare intatta in mezzo ai figli
which makes you shine intact in the midst of the sons
dell’uomo, immersi nel tuo fango, puoi tu
of man, immersed in your mud, can you
non crederla sorella?
not believe her sister?

So what's all that about? To find out, let's turn to the notes in Jonathan Galassi's magisterial translation of Montale's Collected Poems 1920-1954 (2000), p.594 et seq:

Arrowsmith [in his dual-text version of La Bufera ed altra, 1985] emphasizes that the eel should not be read as essentially phallic, but that it incorporates both sexes, incarnating an "undifferentiated 'life force' akin to Bergson's elan vital" ... 'The Eel,' then, should be viewed as a cosmic love-poem, an account of the phylogeny of the human spirit as well as a dithyramb to the woman who inspired it, or as [Gilberto] Lonardi ... puts it, "the anabasis of the Anima, in the Jungian sense, of its author".

Just so. Couldn't have put it better myself.

I'd also recommend the fascinating discussion of Robert Lowell's strange translation / adaptation of the poem (included in Imitations, 1961) in Paul Muldoon's recent collection of his Oxford lectures on poetry, The End of the Poem (2006). Lowell ended up running this poem into the one which happened to be printed next to it in the Penguin Book of Italian Verse, as he didn't realise that the page divide was also the end of the poem ...