Showing posts with label launch. Show all posts
Showing posts with label launch. Show all posts

Monday, July 04, 2011

Launching Leicester Kyle's Collected Poems


Leicester & his trademark fire-engine-red Land Rover
(Buller, 2000)



It's five years to the day since poet, priest and ecological activist Leicester Kyle (1937-2006) died in Christchurch hospital. I doubt that he'd recognise the city of his childhood if he could see it today. That former Christchurch is now a thing of the past ...

The main purpose of this post, though, is to advertise the Leicester Kyle website which has been set up by his literary executors (David Howard and myself) to make his writings more accessible in the future - both to those already familiar with his poetry, and those who've never heard of him or it. My model was Kendrick Smithyman's online Collected Poems 1943-1995 site, edited by Margaret Edcumbe and Peter Simpson, and designed expertly by Brian Flaherty.

There are eleven books (at present) listed under the name "Leicester Kyle" in the NZ National Library database, together with another earlier prose pamphlet indexed under "L. Kyle". My present intention is to put all of these up on the website. We'll be supplementing them with another eleven or so works which are not presently available in any public collection, though.

I certainly can't rival the snazzy production values and (very useful) search engine facilites on the Smithyman site. This will be another attempt on my part to make free space on the internet work for us as well as the corporate giants. What I've done, then, is to set up two linked websites:

  • The first site - Leicester Kyle - is basically confined to bibliographies and indexes. It aspires to provide complete listings of all primary and secondary material by and about Leicester. It gives details of each of his works, together with notes, and a table of contents hyperlinked to:
  • The second site - Leicester Kyle Texts - which will provide complete texts of each of the major books, together with a selection of the shorter poems.

The first site is as complete as I can make it at present, without further information and research. The second site is more of a foretaste at present, with only a few of his books up in full.

Basically, if you just want to read through one of them, you can go straight to Leicester Kyle Texts, and scroll down reading it page by page (I've also included a jpg illustration of each page, in order not to obscure any details of the original formatting. If you click on these pictures individually, they will enlarge).

If, on the other hand, you want to see the table of contents for a particular book, together with any notes or details from letters about it, you can go to the Leicester Kyle index site and click on the relevant link.

The list below will tell you which works are available already, and which ones will be going up over the next few months. I'll try to keep it continuously updated as each website grows:



Contents

[* = listed in the NZ National Library Network]


    Accessible online:


  1. Koroneho: Joyful News Out Of The New Found World (1996-2001) [A4: iv + 96 pp.]
    This work, a kind of Zukofskyan verse epic about the life and times of William Colenso ("Koroneho" in Maori) has never before now been published in full, although four extracts from it appeared in Alan Loney's magazine A Brief Description of the Whole World between 1997 and 1998.


  2. A Christmas Book (2000) [A5: 26 pp.]
    After moving to Millerton, an old mining town on the West Coast of the South Island, in 1998, Leicester developed the habit of producing a small book of poems every Christmas to send to his friends and family. This is the first of them, and one of the most charming and accessible of all of his works.


  3. * The Great Buller Coal Plateaux: A Sequence of Poems (2001) [A5: 31 pp.]
    Despite its unpretentious packaging, this little chapbook is one of Leicester's most important publications. It was an attempt to harness deliberately the propaganda power of poetry and the Arts in general against a large-scale commercial mining company. Of course we're constantly being told by every authority in sight that this is wrong, that Art should not be "political", that it's concerned with "higher things" etc. etc. But are there any higher things than the systematic despoliation of an untouched environment? The destruction of any joy or profit that any of us or our descendants can ever take from it in the future? This is an important book, and I'm glad to be able to make it accessible here to more people than were ever able to read it in Leicester's lifetime.


  4. Dun Huang Aesthetic Dance (2002) [A4: 10 pp.]
    One of Leicester's shorter poetry sequences. This was posted to me by him as a separate pamphlet, or else I might simply have included it in the "Shorter Poems" section of the site. It reflects his strong interest in syncretic religious traditions and in their bizarre and excessive linguistic registers.


  5. * Things to Do with Kerosene (2002) [A5: 34 pp.]
    Another one of his Christmas books, this one compiled from Aunt Daisy's depression-era household hints. One of the most entertaining books he ever put out, its publication was partly funded by the Buller Community Arts Council. It was launched by the Mayor, and got a great reception from the West Coast locals (by all accounts).


  6. * Panic Poems (2003) [A5: 39 pp.]
    Another Christmas book, this one concerned with the mechanics of his life in Millerton. His move there from Auckland was motivated (at least to some extent) by the death of his wife Miriel in 1998, so there must have been a lot of issues for him to work through. Others in similar circumstances may well find this book very helpful.


  7. Living at a Bad Address (2004) [A5: 38 pp.]
    The last of the full-scale Christmas books. This one is an anthology of shorter poems with brief introductions. Some of them are very moving to read, particularly those concerned with his daughter Anna's funeral.


  8. * Miller Creek (2004) [A5: 22 pp.]
    This is a beautiful gem-like little book of poems and pictures designed to draw attention to the ecological devastation caused by rivers poisoned by runoff from the mines. Joel Bolton's sketches are colourful and deft and the whole production deserves a wider audience, I think.


  9. Pamphlets & Ephemera
    This section includes the first and last of his Christmas letters and pamphlets, sent to various correspondents - principally Richard Taylor - between 1996 and 2005.


  10. Miscellaneous Prose
    A preliminary gathering of Leicester's reviews and critical introductions to the various publications he edited or contributed to in the last ten years of his life.


  11. Secondary Literature
    Articles, poems, reviews and tributes by a variety of people, among them Stu Bagby, Tony Chad, Scott Hamilton, David Howard, James Norcliffe and Richard Taylor. Again, this is a preliminary collection which will undoubtedly grow in the future.


  12. Bibliography
    As complete a listing as I can make at this point of his published works.




    Not yet available:


  1. * Options (1996-1997) [A4: 63 pp.]
    Leicester's first long narrative poem: "This set of four poems examines, with a wickedly satirical eye, a series of religious and mystical vocations. We have Evagrius, the fourth century ascetic; Jeremy Taylor, the seventeenth-century Anglo-Catholic Jeremiah ...; Fran, a thirteenth-century Franciscan mendicant transported to contemporary Northland; and finally Maria, the celebrated nineteenth-century dancing prophetess of Kaikohe." [Jack Ross, "Leicester H. Kyle: Prophet without Honour." Pander 6/7 (1999): 21 & 23.]

    [posted online Monday 19/12/11]


  2. * State Houses (1997) [A4: 43 pp.]
    This is a more personal piece: "interweaving tragic family history with the history of the first state houses in the Christchurch suburb of Riccarton. Leicester's 'dream-like recollection' of childhood 'is set against the ideology of which the state houses were part' (hence the Bauhaus epigraph, and the various diagrams and maps), but that 'progress is provided by a ritual house-blessing, an alternative ideology, which moves the family group from room to room, part to part, of reality'.” [Pander 6/7 (1999)]

    [posted online Monday 12/12/11]


  3. * A Voyge to New Zealand: The Log of Joseph Sowry, Translated and Made Better (1997) [A4: 117 pp.]
    This is an actual nineteenth-century emigrant's journal, which has been "teased ... into strange shapes on the page and in the imagination. It reads as an affectionate tribute to the spirit of our pioneers, a fin-de-siècle version of Curnow’s 'Landfall in Unknown Seas'.” [Pander 6/7 (1999)]

    [posted online Tuesday 20/12/11]


  4. Heteropholis (1998) [A4: 52 pp.]
    Some readers see this as Leicester's masterpiece. "It concerns a fallen angel, who has descended to earth in the form of a small green native gecko (species: Heteropholis gemmeus). This gecko has been caught by an apartment-dwelling Aucklander, and makes observations on his habits, on the weather (a subject of particular concern to angels, who are used to looking down), and on sundry other matters. ... It is, nevertheless, a profoundly serious and, indeed, partially autobiographical work." [Pander 6/7 (1999)]

    [posted online Friday 16/12/11]


  5. * A Machinery for Pain (1999) [A4: 37 pp.]
    This is his first book written entirely at Millerton: "a ... sequence on pain management, prompted by close personal experience" - the death of his wife Miriel, in particular.

    [posted online Monday 14/11/11]


  6. * A Safe House for a Man (2000) [A4: 86 pp.]
    The blurb copy I provided at the time read (in part) as follows: "The landscape of Leicester Kyle's long semi-narrative poem ... will be familiar to most of us: separation, self-analysis, acknowledgment of loss. There's little that's recondite or difficult about this poetry, and yet the craft and subtle intelligence of its author come through in every line. The title poem is accompanied by two others: The Araneidea - an oddly disturbing account of how to 'make good-looking, sightly cabinet objects' from live spiders; and Threnos - a moving elegy for the poet's wife Miriel."

    [posted online Saturday 10/12/11]


  7. * Five Anzac Liturgies (2000) [A4: 45 pp.]
    Calum Gilmour, whose Polygraphia Press published both this and A Safe House for a Man, wrote of it at the time: "This set of poems contains five pieces addressed to the South Island towns of Hawarden, Waikari, Rotherham, Culverden and Waiau respectively. Each poem is based round the theme of Anzac Day and how it affects each place addressed. The focus is on Anzac, on the people involved, on the significance of the remembrance in each place."

    [posted online Tuesday 29/11/11]


  8. King of Bliss (2002) [A4: 46 pp.]
    This book contains Leicester's thoughts on the subject of psychoanalysis, prompted by his experience of various therapies for clinical depression which he underwent while still living in Auckland in the 90s.

    [posted online Thursday 1/12/11]


  9. A Wedding in Tintown (2002) [A4: 36 pp.]
    This is a portrait of a place, revealed through a blow-by-blow account of a wedding celebration. Leicester wrote to me about it: "The wedding is one I took here in Millerton, and this is a faithful account of its proceeding; I've set it in Tintown, a now vanished mining village on the Plateau ... My aim was to describe the events, with little overt interpretation, and by means of a low tone to - by contrast - heighten and clarify the colours of the day. ... My hope is that the peculiar culture of the occasion just might make it interesting enough to be a good read."

    [posted online Tuesday 15/11/11]


  10. 8 Great O’s (2003) [A4: 46 pp.]
    This is a set of interlinked pieces connected by themes of religion and ritual. Leicester's preface specifies that the main text "is an adaptation of the last page of a pious biography, ‘The Life of St. Mary tbe Harlot’, written by her uncle, Ephraem, deacon of Edessa, around the year 370. ‘The Word' is a family story. 'The Great 0 's' is a term taken from the Advent liturgy."

    [posted online Friday 18/11/11]


  11. Anogramma (2005) [A4: 64 pp.]
    An amusing and lighthearted piece of autobiography, which records Leicester's first job after leaving school: as a "horticultural apprentice at the Christchurch Botanical Gardens ... All apprentices were required to attend monthly meetings of the Christchurch Botanical Gardens Horticultural Apprentices Mutual Improvement Society" and much of the text is devoted to an account of these meetings, together with some details of the 50 year reunion of the apprentices.

    [posted online Saturday 10/12/11]


  12. * Breaker: A Progress of the Sea (2005) [A5: 78 pp.]
    Leicester's last book, and one of his most ambitious, "suggested by the Catalogue of Armed Forces in the second book of the Iliad. I read it in Pope's translation, and was fascinated by the whole idea and the poetry of it. The fascination led to a desire to do something of the kind myself and, casting about for a local battle, I hit on the idea of our self-defence against our eroding coast." says Leicester in his preface. The illustrations, by John Crawford, are very fine.

    [posted online Sunday 20/11/11]


  13. Collected Shorter Poems: 1 (1983-1998) [A4: 428 poems & sequences / 568 pp.]
    This is a list of all the poems and sequences included in the first of the the two large "Collected Poems" fileboxes which David and I inherited from Leicester's estate, and which contained (in approximate chronological order) all of the individual poems (outside published books) he wished to preserve. I'll be putting up a bare selection of these poems to start with - more over time, if demand warrants it.


  14. Selected Shorter Poems: 2 (1998-2006) [A4: 318 poems & sequences / 387 pp.]
    This includes all of the poems written after Leicester's move to the West Coast, mostly contained in the second of the the two large "Collected Poems" fileboxes. I'll be putting up rather more of these poems than the ones in the first box, as befits their superior quality (in my opinion, at any rate).


  15. Five Millerton Sequences [A5: viii + 48 pp.]
    This is a preliminary selection from the Millerton poems, chosen in consultation with David Howard, and intended both as an advertisement for this site and (hopefully) to revive some interest in Leicester in general. Few people have ever had the chance to read any of these poems before, after all. I hope you enjoy them. The book will be launched sometime next year - details to be announced on this blog (and hopefully elsewhere as well).

    [posted online Friday 16/12/11]


  16. Prose Fiction
    • * I Got Me Flowers: Letters to a Psychiatrist [A5: 56 pp.]
    Leicester began as a prose writer, in the 1970s, and had some success with this and some of his other stories before switching to poetry in the early 1990s. This "excessively Jungian" (as Leicester himself described it) novella from the mid-70s is the finest of his extant works of fiction - or at any rate that was my impression when I read through them all while staying with Leicester at Millerton in 1998.

    [posted online Sunday 13/11/11]


  17. Chronology
    As complete a listing as I can make of the known events and dates of Leicester's life.

    [posted online Saturday 12/11/11]






So there you go. I know it's a bit crazy to entrust all this material to the tender mercies of blogspot, but you can be sure that I'll be keeping sedulous backups and printouts of everything as well.




The view from Leicester's verandah at Millerton
[photographs: Jack Ross (2000)]

Friday, February 04, 2011

11 Views of Auckland




The College of Humanities and Social Sciences
Albany Campus
Massey University

are happy to invite you
to celebrate
the publication of

11 Views of Auckland

An anthology of essays
by members of the College

Volume 10 in our ongoing Monograph Series
Social and Cultural Studies

The book will be launched by
Massey University’s Vice-Chancellor
The Hon Steve Maharey

At a special launch price of $15
[RRP: $20]

In the Study Centre Staff Lounge,
East Precinct, Albany Campus, Auckland
on Thursday 17th February
from 5.00-6.30 p.m.

For directions please visit this page.

For catering purposes please RSVP to
Leanne Menzies
By Friday 11th February, 2011

Wednesday, August 20, 2008

Martin Edmond at Massey Albany (27/8)




Atrium Building
level 3 common room
Massey Albany


Wednesday 27th August
3 to 4 pm



We’ve invited Martin Edmond to come and give a reading / q & a session on campus as part of our regular seminar series.

Entrance free. Please do come along if you're curious to hear him. It's mid-semester break, so there should be plenty of parking.

Martin Edmond’s latest books Waimarino County and Other Excursions (AUP, 2007) and Luca Antara: Passages in Search of Australia (Adelaide: East Street, 2006) were both nominated for Montana awards, a prize he won in 2004 with Chronicle of the Unsung.

His work in the genre of (so-called) “Creative Non-fiction” is taught in our Massey Life Writing and Travel Writing courses, but he’s also an award-winning poet and fiction-writer. He’ll be reading from his latest book, The Evolution of Mirrors (Otoliths Press, 2008). For further details on that book, please go here.



The other dates in his NZ tour are:

Thursday 21 August, 6pm, Wellington
Writers Read: Martin Edmond

Level D, Room 16, Block 5
Entrance A, (access through "The Pyramid")
Massey University Wellington Campus
Wallace Street
Chair: Ingrid Horrocks.
RSVP: to Jo Fink (j.w.fink@massey.ac.nz or 04 801 5799 x 6696) by Wednesday 20 August.

Friday 22 August, 7pm, Palmerston North
Massey University's Writer Read series
Guest Writer: Martin Edmond

Free entry
Palmerston North City Library
4 The Square

Thursday 28 August, 2.30pm, Auckland
Mollie: On the Track of the Ohakune Elephant 1957-2008

Michele Leggott, Martine Edmond, Mandy Harper, Mary Sewall conduct an afternoon of talks and readings about Mollie, the circus elephant whose death in 1957 drew the attention of zoologist and curator Barney McGregor at Auckland University College. For more information contact Mary Sewall, m.sewall@auckland.ac.nz or 373 7599 x 83758.
Old Biology Building (McGregor 1 Seminar Rm)
University of Auckland

Thursday 28 August, 5.30pm, Auckland
Book Launch

Jack Ross launches Martin Edmond's The Big O Revisited (Soapbox Press). Register attendance with Laurel Walker, i.walker@auckland.ac.nz
Main Foyer
Old Biology Building
University of Auckland



Obviously the last of those dates is of most interest to me. I'll be launching Martin's first book of poems in almost twenty years (Streets of Music won the Jessie Mackay Award for Best First Book of Poetry in 1980, and was followed by Houses, Days, Skies (1988). Michael Steven has done a wonderful job as publisher and designer of this deluxe book of travel poems.

It's a limited edition, though, so be sure to get in quick to buy a copy. I've been scouring the second-hand bookshops for years for those two early poetry collections of Martin's.

Wednesday, August 06, 2008

Tongdo Fantasia




OUi boutique is pleased to present:

Gabriel White

Tongdo Fantasia

DVD/BOOKLET LAUNCH, WINDOW PROJECTION AND PHOTOGRAPHY

PREVIEW
THURSDAY 7 AUGUST 2008 - 5.30PM
OUi boutique, St Kevin’s Arcade, K rd, Auckland

EXHIBITION 8 AUG – 4 SEPT 2008

www.gabrielwhite.co.nz
www.ouiboutique.co.nz


Those of you who've been keeping up with this blog know my views on Gabriel White's video and photographic work. I wrote a review of his previous film Aucklantis (2006) here and a brief account of our own collaborations A Town Like Parataxis (2000) and The Perfect Storm (2000) here.

On Thursday he's launching his latest work Tongdo Fantasia. This film has been a long time in the making. It's been refined and recut until it represents the essence of a Westerner's alienation - and, at the same time, paradoxically, curious at-homeness - in a strange new cultural setting: in this case, South Korea.

A suite of photographs from the work were included in Landfall 214. These, and hopefully more besides, will be on exhibition at OUi boutique for the next month. So come on up to K Rd this Thursday to check it out. You really won't regret it.

Friday, June 20, 2008

bad appendix


[cover image: LynneMaree Patterson, "Twice as Good" (detail)]


Well, a good time seems to have been had by all at the big Titus booklaunch in K Rd last night. It was wonderful to see so many old friends, and to meet some new ones, too.

My novel EMO was introduced eloquently and insightfully (in my humble opinion, at any rate) by Jen Crawford. Then it was my turn to introduce her book bad appendix. This is what I had to say about Jen's poetry:


I guess there might once have been a time when one could say that so-and-so was predominantly a “love poet” or a “landscape poet” – or , for that matter, a “metaphysical poet.” There's a lot of evocation of places (both in Australia and New Zealand) in Jen Crawford's poems, yet the more distinctly they're delineated, the more obvious it is that she's referencing the landscape of the soul.

Take, for example, “primary school, port kembla” [45]

I walked along electrolytic street
and beyond the shadow of the stack
found broken cricks and patchy light,
mottled-leaf roses
and the stumps of old walls.
I lay down and gravel
pressed into my cheek.
beetles ran over my arms.

There’s a kind of directness about that which seems reminiscent of Blake’s “London”:

I wander thro’ each charter’d street
Near where the charter’d Thames does flow
And mark in every face I meet
Marks of weakness, marks of woe

Or, perhaps more to the point, his “The Garden of Love”:

So I turn’d to the Garden of Love
That many so sweet flowers bore
And I saw it was filled with graves
And tomb-stones where flowers should be

That word “electrolytic” is particularly interesting – it sounds a bit like “epileptic” to me – as if it’s a very hot day and people are jittery, about to jump out of their skins. Here, though, it’s the street which is electrolytic, “capable of conducting an electric current” (as one dictionary definition has it), or, alternatively, conducive to electrolysis, that process of using electric currents to promote a chemical reaction. In this case (presumably), the electricity of human feeling and emotion transforming the solid landscape the poet sees: the stack, the cricks, the roses, the stumps of old walls, into the stuff of life.

I lay down and gravel
pressed into my cheek.

That’s a somewhat childish pose, perhaps – appropriate for the site of a primary school, that arena where emotions can run truly unrestrained. We can imagine the bitter tears, or (possibly) the ache of their absence, without their even having to be mentioned.

“Beetles ran over my arms” is, again, in this context, appropriate to the pettifogging, mind-numbing rituals of a primary school” “binding with briars my joys and desires.”

The poem continues with description of what is really no more than a walk through a landscape:

from here roads lead
out to the station, to the dunes,
the ankle-deep pool,
the mild veneer lake

But even that simple list of destinations sounds somehow ominous – as if each choice of direction were an existential decision. “The station:” getting the hell out of here, perhaps; “the mild veneer lake:” a more complete solution.

The journey actually culminates, though, in:

… the doorway of a pub
where in the beery cool a sparrow hunches,
watching not moving,
& when I step too close
doesn’t fly

It would sound cheesy, Wordsworthian, to talk about this as the “poet receiving comfort from natural phenomena” – the little bird which doesn’t fly away from her – but isn’t that what it is? Isn’t that what really happens sometimes? Maybe the pathetic fallacy isn’t such a fallacy after all? If, that is, one is honest about what it actually means – not that nature really does “sorrow for the son [or daughter] she bore,” (as A. E. Housman put it) but that our minds are naturally geared to interpret things that way.

There’s nothing cheesy about the expression of this poem, that’s the point. and one has to work pretty hard to get much detail from it. What is apparent at once (I’d say) to any reader is the mood of the poem – I doubt that anyone could follow Jen Crawford through this “electrolytic” landscape without getting a sense of anticipation, almost of dread.

The tone of Jen Crawford’s poetry is not polite and detached, not wryly observant and full of witty instances – nor is it loose and sloppy, unrestrained and “emotional” (in the worst sense). She’s not a beat, but neither is she a LANGUAGE poet. She has a lot to say about the substance and texture of experience, and she expresses herself with deftness and restraint.

The more I read her poems, the more I see in them. I don’t think it’s any accident that she quotes from Gerard Manley Hopkins’ (so-called) “Terrible Sonnets” in her own poem called “terrible sonnet” [59]:

oh put me out of my fucken misery.

It’s a note which hasn’t been heard in our poetry for far too long.


I'd like to repeat a few thank yous here, at the end of this post:
  • to Brett Cross, for licking the three books into shape, and putting this whole launch party together. Titus Books has now issued 16 titles, I hear - a pretty amazing achievement off the back of a few enthusiasts with no grants funding whatsoever;
  • to Bronwyn Lloyd, my lovely wife, for agreeing to collaborate with me on possible the oddest reading heard at a booklaunch so far this year;
  • to Jen Crawford, for her kind and perceptive words about my book;
  • to Emma Smith, for the most kick-ass cover image I think I've ever seen in my life (she's now admitted that the picture does indeed have a title: "have I been / pardoned / yet?");
  • to Scott Hamilton, for his expert MC'ing of the event;
  • to Cerian Wagstaff, for looking after the booktable and the wine, and also for taking so many excellent photos (a selection can be seen over at Reading the Maps) of the event;
  • to Bill Direen, for his beautiful music and reading, and for so generously agreeing to share this launch with Jen and myself;
  • to Peter at Alleluya cafe, for lending us his wonderful venue, high above Auckland city;
  • and finally to all the people who came along to support us and to buy a book: for a while there it almost seemed to me as if everyone I'd ever met was moving in and out of the flickering lamplight.


[cover image: Emma Smith, "have I been pardoned yet?" (detail)]


[Additional: 3/7/08]:

Check out Scott Hamilton's write-up of the occasion at Scoop Review of Books.

Wednesday, June 04, 2008

Upcoming Titus Booklaunch (19/6)


[cover image: Emma Smith / cover design: Brett Cross]


Yes, it's that time again - booklaunch season!

The latest Titus Books extravaganza will be at the Alleluya Cafe, St Kevin's Arcade, Karangahape Rd, on Thursday 19th June from 6.30 pm onwards.

The three books are:

I'm very happy to be in such distinguished company. Bill and I had a launch together in 2006 for our previous two Titus titles: my The Imaginary Museum of Atlantis and his Song of the Brakeman. Jen Crawford is a friend I've met more recently, and whose poetry I was proud to include in Landfall 214 (2007): 41-44. MC Scott Hamilton has already put up an interesting post about the event at Reading the Maps.

We'll all be doing our thing on the night: I'll be performing some dialogue from my novel with the lovely Bronwyn Lloyd, Jen will read some poems, and (probably the most potent lure) as well as giving a reading from his novel, Bill will also be playing songs from his latest album Songs for Mickey Joe in the course of the evening.

*

What can I say about EMO?

The original idea was to compile a blog-novel in the form of three sets of diary entries available online. The concept has grown a bit since then, though. Each page of text has ghost pages underneath it (still legible to the determined), as well as a main narrative by one of my three protagonists: Eva, Marlow and Ovid.

Does that sound complicated? I don't think it will present any real obstacles to readers of the two previous volumes in my R.E.M. [Random Excess memory] trilogy: Nights with Giordano Bruno (Bumper Books, 2000) or The Imaginary Museum of Atlantis (Titus Books, 2006).

I should emphasise, though, that EMO is an entirely stand-alone story, and does not require any knowledge of the other books in the series. I have to admit that parts of it have shocked some readers, but I don't think any of them have found it difficult to get into. On the contrary, it's only too compulsively - and disreputably - readable, as one of them remarked to me ...

Saturday, March 22, 2008

Orange Roughy Sold Out!



Yes, that's right - in under two weeks we've managed to sell nearly 150 books (not counting contributors' copies, National Libary copies, and a few other sundries). Only one shop stocks it (as far as we know) - Parson's Bookshop in Wellesley Street - but I suspect that their copies have already been sold on to libraries and special collections by now.

So I'm sorry if any of you particularly wanted a copy and were just waiting for payday. That is the way the cookie crumbles, though. I mean, how often do you get a line-up of authors like that, with a hand-screenprinted, individually coloured dustjacket, all for the bargain price of $25?

Never, that's when.

You can find further details about the launch on the Pania website here.

We're very happy - and very grateful to everyone who's helped with the project: our contributors (of course), my parents for volunteering their garden for the launch, Bronwyn's parents for selling so many copies, and all the rest of our intrepid sales-team (Greg, Sheryl and Fiona, I mean you ...)

This is Culture-Power at its best, I think.


[Michele Leggott launching Orange Roughy]


[Bronwyn reading out a message from Therese]


[Bronwyn & me outside the bach]


[A few of the "Orange Roughians"(l-r):
Emma Smith, Greg Lloyd, Anna Tozer, Mike & Margot Lloyd ...]



[Michael Steven in festive mood - Raewyn Alexander & June Ross behind him ...]

[photographs 1, 3 & 4 by June Ross / 2 & 5 by Greg Lloyd]

Wednesday, February 27, 2008

Booklaunch on Sunday 9th March!


[Thérèse Lloyd - photograph by Greg Lloyd (July 2007)]


You are all most cordially invited to Pania Press's very first


BOOKLAUNCH

in the spacious back garden of

No. 6 Hastings Rd,
Mairangi Bay
North Shore City
Auckland

from 2 to 4 pm
on Sunday 9th March


All of you, that is, who wish to buy one or more copies of a sumptuous anthology of poems, pageworks & stories at the bargain price of $25, and (in the process) make a substantial donation to a very good cause.

The book is called:

& includes contributions by the following writers and artists:

Martin Edmond
Graham Fletcher
Bernadette Hall
Michele Leggott
Bronwyn Lloyd
Thérèse Lloyd
Bill Manhire
Emma Neale
Susannah Poole
Tessa Rain
Richard Reeve
Jack Ross
Tracey Slaughter
Michael Steven
Damien Wilkins


I should stress that nobody involved in this project has taken a cent from it - all the proceeds, not just all the profits - are going to Thérèse in Iowa, so that's why we're anxious to sell as many of these fine books as possible.

If you can't make it to the launch, send money or a cheque to Pania HQ and we'll be happy to dispatch as many copies as you like of the book, post-free within NZ, for exactly the same price.

Orders can be made through the Pania website, either as a comment left on the site, or directly via our email address:

For further information, please follow the links above. Hope to see you on Sunday!

Monday, October 08, 2007

Pania Strikes Again



So Pania Press's Opus 3 is now out and ready for purchase.

This time we've branched out from poetry chapbooks, and are offering a sumptuous handmade art catalogue instead.

The book is THE ETERNALS. It's designed to accompany Graham Fletcher's show of the same name, on display in the Anna Bibby Gallery, Newmarket, between 2 and 26 October.

The book includes an essay on Graham's work by Bronwyn Lloyd, "Tar-Babies & Taboos," a full chronology of his work to date, and - most excitingly of all - a unique, original drawing by the artist.

Each of these drawings records one of the sculptures in his show, so (as you can imagine) some collectors of Graham's work have already gone to considerable trouble to try and hunt down the drawing that matches their sculpture ...

That's why we've had to limit this edition to 45 signed, individually-numbered copies. There won't be a reprint, so if you're interested, it might be advisable to get in quickly.

Details of how to order the book are available on the Pania Press website here.

The price is $75, payable either by cheque or bank transfer.

Friday, September 28, 2007

Scheherazade's Web:





Between 1991 and 1995, I spent a huge amount of my time reading and collecting different editions and translations of the Arabian Nights.

It's a bit hard to say why, in retrospect. I guess it might have been a reaction against the brain-strain of finishing my dreadful Doctoral thesis - An Elusive Identity: Versions of South America in English Literature from Aphra Behn to the Present Day (University of Edinburgh, 1990). At the end of all that labour I seemed to have lost the ability to take any pleasure at all in reading or writing, so I tried to recover by making a beeline for my ultimate fantasy book, the ubiquitous yet strangely invisible Nights, with all its proliferating texts and versions, all its competing codes and overlapping cultural frames.

The plan was always, eventually, to write a book on the subject. But it soon became obvious to me that I lacked the learning to produce anything really scholarly. I can read a few languages, but Arabic isn't one of them - let alone Persian - and there's no longer all that much room for amateurs in these fields of study.

So I compromised by trying to compose a series of very limited vignettes on particular aspects of the influence of the Nights, within the larger field of Comparative Literature.

After that, though, I shifted my attention out of the academic area altogether, back to fiction and poetry, so the Arabian Nights stuff got sidelined until now.

This set of essays is to be considered as a work-in-progress, then. There are many adjustments still to be made, and the fact that it's been ten years or so since I last looked at most of it means that there's a lot of more recent work in the field which I haven't been able to take account of. For what it's worth, though, here's a set of links to the various sections of my projected critical opus on one of the most fascinating, mysterious and least-understood books in world literature ...



Preface

Scheherazades

Introduction: Redu ‘92

The School for Paradox

Chapter 1: Malory and Scheherazade

Malory

Scheherazade

Chapter 2: Europe, Christianity and the Crusades

Plot Summaries

Chapter 3: Voyage en Orient

Chapter 4: Parodies of the Arabian Nights

Chapter 5: The Poetics of Stasis

J. L. Borges: Metaphors of the 1001 Nights

Bibliography

Chronology

Concordance

A List of the Stories in the 1001 Nights

Textual Notes