Don't Think It Couldn't Be You

[Peter Reading: Vendange Tardive (2010)]

i.m Peter Reading
born Liverpool 27 July 1946
died 17 November 2011

Well, it's happened again. I was just looking up a few details for my lecture on Peter Reading on Saturday when I saw that he had died:

They told me, Heraclitus, they told me you were dead ...

- Callimachus, tr. William Cory

I have to say that the news left me feeling quite upset. It was almost exactly the same sequence of events as I experienced with J. G. Ballard a couple of years ago: you start checking someone's dates online, and next thing you know, you find out they've been dead for months ...

Don’t think it couldn’t be you -
bankrupted, batty, bereft ...

as he says in his most famous poem, Perduta Gente [Lost People] (1989), exploring the cardboard canyons of the homeless in Thatcher's Britain.

"Don't think it couldn't be you" -- now that Thatcher's been Hollywood-ised, another notch in Meryl Streep's list of accents, it's hard to remember that cold face presiding over Nuremberg-style rallies at Brighton, the faithful baying with ecstasy as she preached her crusade against the poor, the starving, the mentally ill:

grievously wounded veteran of the Battle of Bottle,
jobless, bereft of home, skint,
down in the cold uriniferous subway ...

It's a curious irony that she should have ended that way herself, her mind betraying her, all that self-reliance eroded into complete dependency on the social services she so deplored.

Peter Edwards: Peter Reading: Poet

But who was Peter Reading? The "laureate of grot" was one disimissive phrase (dreamed up by hollow-man pundit Blake Morrison) ... People who considered themselves quite well-informed on contemporary British writing would turn out never to have heard of him. To me, he was one of the very few justifications for even daring to speak of a contemporary British poetry scene.

You loved him or you hated him. For most readers, it was clearly the latter. His strange books, with cut-out newspaper clippings, classically turned verses, scribbled notebook entries all jostling for position on the page, were calculated to excite or offend.

When Perduta gente first came out I was living in Scotland, recently targetted as the victim of one of Thatcher's bigtime social experiments: the poll-tax. The subject matter Reading had chosen did not surprise us; what was really surprising was that no-one else seemed to be writing about these things. All the news round the streets was that the last time someone had tried to bring in a poll-tax, it had led to the Peasants' Revolt ...

[Lannan Foundation]

That's not to say that he was neglected, exactly. After his London publishers dumped him in the mid-nineties, Bloodaxe Books of Newcastle reissued his entire back-catalogue in three successive volumes of collected poems. He ended up being one of the most extensively available poets around: another factor in this being the decision of the Lannan Foundation in America to record his entire back-catalogue on a series of DVDs - 24 hours or so for him to read out 26 separate poetry collections.

And here they all are:

Contemporary Writers

Poetry:


1. Water and Waste. UK: Outposts Magazine, 1970.
2. For the Municipality's Elderly. London: Secker & Warburg, 1974.
3. The Prison Cell and Barrel Mystery. London: Secker & Warburg, 1976.
4. Nothing for Anyone. London: Secker & Warburg, 1977.
5. Fiction. London: Secker & Warburg, 1979.
6. Tom O'Bedlam's Beauties. London: Secker & Warburg, 1981.
7. 5 x 5 x 5 x 5 x 5. Ceolfrith Press, 1983.
8. Diplopic. London: Secker & Warburg, 1983.
9. C. London: Secker & Warburg, 1984.
10. Ukelele Music. London: Secker & Warburg, 1985.
11. Essential Reading. London: Secker & Warburg, 1986.
12. Stet. London: Secker & Warburg, 1986.
13. Final Demands. London: Secker & Warburg, 1988.
14. Perduta Gente. London: Secker & Warburg, 1989.
15. Shitheads. Squirrelprick Press, 1990.
16. Three in One. London: Chatto & Windus, 1991.
17. Evagatory. London: Chatto & Windus, 1992.
18. Last Poems. London: Chatto & Windus, 1994.
19. Collected Poems Volume 1: 1970-84. Northumberland: Bloodaxe, 1995.
20. Penguin Modern Poets 3 (Mick Imlah, Glyn Maxwell, Peter Reading). Harmondsworth: Penguin, 1995.
21. Collected Poems Volume 2: 1985-96. Northumberland: Bloodaxe, 1996.
22. Chinoiserie. Bay Press, 1997.
23. Work in Regress. Northumberland: Bloodaxe, 1997.
24. Apophthegmatic. Bay Press, 1999.
25. Ob. Northumberland: Bloodaxe, 1999.
26. Repetitions. Cleveland, OH: Cleveland State University, 1999.
27. Marfan. Northumberland: Bloodaxe, 2000.
28. Faunal. Northumberland: Bloodaxe, 2002.
29. Collected Poems: 1997-2003. Northumberland: Bloodaxe, 2003.
30. -273.15. Northumberland: Bloodaxe, 2005.
31. Vendage Tardive. Northumberland: Bloodaxe, 2010.

Secondary Literature:


• Martin, Isabel. Reading Peter Reading. Northumberland: Bloodaxe, 2000.

[Isabel Martin: Reading Peter Reading (2000)]

It is, however, revealing that the one major critical work about him was written in German, before being translated and published (in somewhat abridged form) in English. There was something a little "European" about his immense, concentrated pessimism; his decision to be a professional Jeremiah. The UK newspaper obituaries tend to concentrate on the his (alleged) "sense of humour" - as if that were a kind of excuse for daring to take things so seriously for so long, in such a thoroughly un-English way.

I suppose, too, that some saw a degree of affectation in his refusal to take up the usual "poetic" ways of making a living: the Academic teaching, the light journalism and reviews. Instead, after an early stint at Art College, he worked as a weighbridge operator for almost twenty years, a job which he claimed gave him "plenty of time to think."

That is, until a newly appointed manager tried to get him to wear a uniform. He promptly resigned and (according to Isabel Martin, his principal witness to the world) managed to achieve depths of indigence rivalling those of his characters Mucky Preece and Boris the Swine in Perduta gente, until he was rescued by the Americans.

Reading's books are complex, intertwined, Dickensian in their balancing of form and content. Their message is grim, but his late shift from social to ecological lamentation certainly showed a refusal to settle into any reconciliatory "final manner" - no Shakespearean late romances for him. The very last one, Vendange tardive seems, in retrospect, prophetic of a mind at the end of its tether. There was little more to say that hadn't been said already, so many times over, but those last words of Perduta gente somehow had to keep sounding out:

Woe vnto woe vnto woe
vnto woe vnto woe vnto woe

It seems a fitting epitaph.

If you'd like to hear the man himself in action, reading from his later works in the Lannan Foundation archive, here are a few links:

• Peter Reading reading Civil (2002) [Video Recording]


• Peter Reading reading ∂ (2003) [Video Recording]


• Peter Reading reading -273.15 (2005) [Video Recording]


• Peter Reading reading Vendange Tardive (2010) [Video Recording]

For the rest, what can I say? A great soul has passed. No-one can claim he didn't warn us, though, to the very utmost of his ability. We'll regret not having listened more carefully as the last tree falls in the ash-pits of the future.

•
[Peter Reading: -273.15 (2005)]

Masson-omania

[Jeffrey Moussaieff Masson]

I guess it's a bit mean of me to put up a post about Jeffrey Masson's talk yesterday at Massey University, because it's too late now to invite any of you to come along.

You did miss out on a treat, though.

I first heard him speak in 2000, when he was invited along to one of my colleague Jenny Lawn's classes to talk about Freud. He hadn't been in New Zealand very long, and of course that was how most of us still knew him: as the author of The Assault on Truth: Freud’s Suppression of the Seduction Theory (1984), and as the subject of Janet Malcolm's In the Freud Archives (1984), which he took her to court over.

It came as a bit of a surprise to hear that he was now working on a book about cats (it would eventually be published as The Nine Emotional Lives of Cats: A Journey into the Feline Heart (2002)), and had begun to shift his attention from human to animal psychology.

When I was asked to oversee the Albany campus version of "Writers Read" -- a very successful series which has been running at Palmerston North for seven years and in Wellington for five -- I must admit that one of my first thoughts was that it would be interesting to look up Jeffrey Masson again and to see what he'd been up to over the last decade.

I do have to say that the book he's working on at present, about the nature of human agression, examined by contrast with other apex predators (there are almost two hundred, apparently, and they including Orcas, African lions, caimans and a whole slew of others), seems to combine the best features of his earlier, more "scholarly" work with his later, more "popular" books on animal emotions.

As his dog Benjy slowly circumnavigated the room, snuffling and making friends with each member of the audience, Jeff held us spellbound with the various theories that exist already about the roots of human aggression and murderousness. Was it the invention of agriculture which was at fault (as Jared Diamond claims), the domestication of animals, or the growth of organised religion? Whatever it was, something went wrong with us around 10,000 years ago which has been plaguing humanity ever since.

To some people, of course, such broadscale thinking is by definition a waste of time. What can one hope to achieve by considering such massive and unanswerable questions? It's a dangerous business, to be sure, but then clinging to the nitty-gritty detail of one's particular specialisation doesn't really absolve one of responsiblity for the rest of the world's ills.

I think everyone in the room yesterday would agree that Jeff Masson did a pretty thorough job of weighing the sources against one another; what's more, he was prepared to suspend judgement where insufficient data was available. It was a rivetting perfomance. A shame a few more of you weren't there. I really am sorry that I didn't have the foresight to warn you in advance that he was coming to Albany.

You can find out the original advertisement for his talk here. Do feel free to come along to any others in the series that take your fancy.

[Jeffrey Masson, ed.: The Illustrated Freud's Interpretation of Dreams (2010)]

The Literature of the Civil War

[Thomas Nast: A Civil War Christmas (Harper's Weekly)]

"Haven't you read enough books about the Civil War?" asked Bronwyn the other morning, as she observed me once more starting my long journey through the well-thumbed pages of volume one of Shelby Foote's three-volume masterwork The Civil War: A Narrative (1958-74).

It's not an unreasonable question, really. I mean, she has had to watch me reading the four massive volumes of Carl Sandburg's Abraham Lincoln: The War Years (1939), the three of Bruce Catton's Centennial History of the Civil War (1961-65) - not to mention his earlier trilogy about the Army of the Potomac: Mr Lincoln's Army, Glory Road and A Stillness at Appomattox (1951-53). What is it about that war that I find so fascinating?

I mean, it's not as if I don't read books about other iconic battles and wars: Martin Middlebrook on The First Day on the Somme (1971), Harriosn E. Salisbury on The Siege of Leningrad (1969), Antony Beevor on Stalingrad (1998), Adam Zamoyski on Napoleon's Invasion of Russia in 1812 (2004) ...

 
[Saint-Gaudens: Colonel Robert Gould Shaw Memorial (1897)]

Perhaps it's just that there's something otherworldly about the whole thing. The heroes - Abraham Lincoln, Stonewall Jackson, Nathan Bedford Forrest, Robert E. Lee - seem larger than life; the battles - though unimaginably violent - still full of a strange glamour and heroism. How does Robert Lowell put it, in "For The Union Dead" ?

On a thousand small town New England greens
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic.

The stone statutes of the abstract Union Soldier
grow slimmer and younger each year -
wasp-waisted, they doze over muskets
and muse through their sideburns…

I even wrote a poem about it once myself (at least that's what I think it's about):

 
[Matthew Brady: The Dead of Antietam (1862)]

Civil War

In my dream, everyone was waving at the Dutch Queen, as she drove slowly down our steep street to the sea. Grey-haired, dignified. I was watching the waves, I suppose, trying to get these lines. A small boy tried to drag me back to the crowd, but I pushed him away. He persisted. So did I. “Can’t you leave me alone?”

– Mairangi Bay (30 October, 2001)

Blue waves
upon grey rocks
the Union soldiers
storming Marye’s Heights
at the Battle of Fredericksburg

·

What shall we do
with the men who did this, General?
surveying the ransacked town
Kill them, said Jackson
Kill them all

·

The scent never comes off again
said the orderly
as he bandaged Burnside’s head
sawed-off legs and arms
spoiling in heaps nearby

[The Battle of Fredericksburg]

I don't quite know what that dream about the Dutch Queen has to do with the price of fish, but the poem just seemed a bit too literal when I took it out.

The other three scenes all come from the Battle of Fredericksburg in 1862, where the Union army, under General Burnside, assaulted some well dug-in Confederates under Robert E. Lee, and were repulsed with appalling casualties ...

Coming back to the subject of the literature of the war, though, there really aren't many nineteenth-century American writers who didn't touch on it in some way: Dickinson, Emerson, Hawthorne, Thoreau, Mark Twain ... One could even argue that Huckleberry Finn is, albeit in an oblique sense, mostly about the "irrepressible conflict". All I've done here, accordingly, is list some of the more canonical examples. I've stuck mostly to those that I myself found entertaining to read:

• 

 
[C. Vann Woodward: Mary Chesnut's Civil War (1981)]

Contemporary Writers on the War:

Mary Boykin Chesnut (1823-1886)


1. Woodward, C. Vann, ed. Mary Chesnut’s Civil War. 1981. New Haven & London: Yale University Press, 1993.


2. Woodward, C. Vann & Elisabeth Muhlenfeld. The Private Mary Chesnut: the Unpublished Civil War Diaries. New York & Oxford: Oxford University Press, 1984.

   The most famous of Civil War diarists, Mary Chesnut was an intimate of Jefferson Davis and moved in the highest political circles of the Confederacy. Her "diary" was in fact a carefully calculated composition, expanded from the fairly sketchy notes she kept at the time (available in the second of the books listed above).


Hiram Ulysses [Ulysses Simpson] Grant (1822-1885)


3. Grant, Ulysses S. Personal Memoirs. 1885-86. Introduction by James M. McPherson. Penguin Classics. Harmondsworth: Penguin, 1999.


4. Grant, Ulysses S. Personal Memoirs and Selected Letters. Ed. Mary Drake McFeeley & William S. McFeeley. The Library of America, 50. New York: Literary Classics of the United States, Inc., 1990.

   Grant's memoirs were written to stave off bankruptcy for his family as he sat dying of cancer in the last year of his life. His style is classic and simple, and goes a long way towards justifying Mark Twain's contention that this is the greatest war book since Julius Caesar. Well worth reading.



Thomas Wentworth Higginson (1823-1911)


5. Higginson, Thomas Wentworth. Army Life in a Black Regiment and Other Writings. 1870. Ed. R. D. Madison. Penguin Classics. Harmondsworth: Penguin, 1997.

   Higginson, whom we know now mainly because of his correspondence with Emily Dickinson, had a very interesting war, and wrote about it earnestly and informatively.



Herman Melville (1819-1891)


6. Melville, Herman. Battle-Pieces: The Civil War Poems. Facsimile Edition. 1866. Edison, New Jersey: Castle Books, 2000.


7. Melville, Herman. The Poems of Herman Melville: Battle Pieces and Aspects of the War; John Marr and Other Sailors; Timoleon. 1866, 1888 & 1891. Ed. Douglas Robillard. 1976. Kent, Ohio & London: Kent State University Press, 2000.


8. Melville, Herman. Published Poems: Battle Pieces; John Marr; Timoleon. 1866, 1888 & 1891. Ed. Robert C. Ryan, Harrison Hayford, Alma MacDougall Reising & G. Thomas Tanselle. Historical Note by Hershel Parker. The Writings of Herman Melville: the Northwestern–Newberry Edition, vol. 11. Evanston & Chicago: Northwestern University Press & The Newberry Library, 2009.

   Melville's poetry will never be as popular as his prose, confined as it is by contorted verse forms and conventional rhymes and tropes: however, there's a strange power in these poems written as the war unfolded. The facsimile edition above is particularly evocative.



Harriet Beecher Stowe (1811-1896)


9. Stowe, Harriet Beecher. Uncle Tom’s Cabin: A Picture of Slave Life in America. 1852. London: Richard Edward King, n.d.


10. Stowe, Harriet Beecher. The Annotated Uncle Tom’s Cabin. 1852. Ed. Henry Louis Gates, Jr. & Hollis Robbins. New York & London: W. W. Norton, 2007.

    The book that started the whole thing off. I particularly recommend the lavishly illustrated annotated edition. My old battered nineteenth-century copy has a little more resonance, though.



Walt Whitman (1819-1892)


11. Whitman, Walt. Specimen Days in America: Newly Revised by the Author, with Fresh Preface and Additional Note. 1882. The Camelot Series. Ed. Ernest Rhys. London: Walter Scott, 1887.


12. Whitman, Walt. Complete Poetry & Selected Prose and Letters. Ed. Emory Holloway. 1938. London: The Nonesuch Press, 1964.


13. Whitman, Walt. Leaves of Grass: Authoritative Texts / Prefaces / Whitman on His Art / Criticism. 1855, 1891-92. Ed. Sculley Bradley & Harold W. Blodgett. 1965. A Norton Critical Edition. New York: W. W. Norton & Company, Inc., 1973.


14. Whitman, Walt. Poetry and Prose. Ed. Justin Kaplan. The Library of America, 3. New York: Literary Classics of the United States, Inc., 1982.


15. Kaplan, Justin. Walt Whitman: A Life. 1980. A Bantam Books. New York: Simon & Schuster Inc., 1982.

    Whitman's war poems, collected as "Drum-taps", are definitely worth reading, but the prose notes - written for the most part in Union hospitals in Washington, and collected in Specimen Days - are some of the finest writing about the war. One begins to see that he really is as great as people say.

 
[Harriet Beecher Stowe: The Annotated Uncle Tom's Cabin (1852 / 2006)]

• 

 
[Stephen Crane: The Red Badge of Courage (1895)]

More Modern Writers on the War:

Stephen Vincent Benét (1898-1943)


1. Benét, Stephen Vincent. John Brown’s Body. 1928. Ed. Mabel A. Bessey. New York: Farrar & Rinehart, 1941.


2. Benét, Stephen Vincent. Twenty-Five Short Stories. With an Appreciation, “My Brother Steve”, by William Rose Benét. New York: The Sun Dial Press, 1943.

   Hard to know what to say about this early attempt to write the great American epic . It's still quite entertaining to read, but unfortunately too old-fashioned and creaky to survive the onslaught of Paterson or The Cantos.



Ambrose Gwinnett Bierce (1842-c.1914)


3. Bierce, Ambrose. The Collected Writings. Introduction by Clifton Fadiman. 1946. New York: The Citadel Press, 1952.


4. Bierce, Ambrose. In the Midst of Life: Tales of Soldiers and Civilians. 1892. Harmondsworth: Penguin, 1941.


5. Bierce, Ambrose. The Enlarged Devil’s Dictionary: With 851 Newly Discovered Words and Definitions Added to the Previous Thousand-Word Collection. Ed. Ernest Jerome Hopkins. Preface by John Myers Myer. 1967. Harmondsworth: Penguin, 1971.

   Undeniably effective, Bierce's war stories defy easy classification: "cynic" doesn't quite do it somehow: death-worshipper is more like it. However his sense of humour, morbid though it is, goes some way towards redeeming him.



Stephen Crane (1871-1900)


6. Crane, Stephen. The Red Badge of Courage. Ed. John T. Winterich. With Civil War Photographs. London: The Folio Society, 1951.


7. Crane, Stephen. Prose and Poetry: Maggie: a Girl of the Streets; The Red Badge of Courage; Stories, Sketches, and Journalism; Poetry. Ed. J. C. Levenson. The Library of America, 18. New York: Literary Classics of the United States, Inc., 1984.

   Probably the most famous Civil War novel ever written, The Red Badge of Courage might be said to have somewhat unfairly overshadowed the rest of Crane's work: particularly the poetry.



Thomas Keneally (1935- )


8. Keneally, Thomas. Confederates. 1979. Glasgow: Fontana/Collins, 1981.

   After the excellent Gossip from the Forest (1975), about the last days of World War I, and before publishing Schindler’s Ark in 1982, Keneally wrote this interesting account of the first Confederate invasion of the North, a kind of dress-rehearsal for Gettysburg, culminating in the Battle of Antietam: very underrated, I'd say.



Michael Shaara (1928-1988)


9. Shaara, Michael. The Killer Angels. Maps by Don Pitcher. 1974. New York: Ballantine Books, 1975.

   Much praised (and rightly so), this brilliant historical novel had the misfortune to be used as the basis of the screenplay for the clumsy and overlong movie epic Gettysburg (1993), distinguished mainly by appallingly fake-looking sets of whiskers and beards on virtually all of the protagonists ...



Gore Vidal (1925- )


10. Vidal, Gore. Lincoln. 1984. Panther Books. London: Granada Publishing Ltd., 1985.

    Wonderfully insightful portrait of Lincoln as a cunning political schemer: concise and brilliant (unusually for Gore Vidal).

 
[Ambrose Bierce (1842-c.1914)]

• 

 
[Bruce Catton: The Centennial History of the Civil War (1961-67)]

Histories & Historians:

Charles Bruce Catton (1899–1978)


1. Catton, Bruce. Bruce Catton's Civil War: Three Volumes in One: Mr Lincoln's Army / Glory Road / A Stillness at Appomattox. 1951, 1952, 1953. New York: The Fairfax Press, 1984.


2. Catton, Bruce. The Centennial History of the Civil War. 3 vols. Vol. 1: The Coming Fury. 1961. A Phoenix Press Paperback. London: The Orion Publishing Group Ltd., 2001.


3. Catton, Bruce. The Centennial History of the Civil War. 3 vols. Vol. 2: Terrible Swift Sword. 1963. New York: Fall River Press / London: The Orion Publishing Group Ltd., 2009.


4. Catton, Bruce. The Centennial History of the Civil War. 3 vols. Vol. 3: Never Call Retreat. 1965. New York: Washington Square Press, 1967.


5. Catton, Bruce, & William Catton. Two Roads to Sumter: Abraham Lincoln, Jefferson Davis and the March to the Civil War. 1963. Phoenix Press. London: The Orion Publishing Group Ltd., n.d.

   Bruce Catton appears to be falling out of favour a bit now, which is a shame, as his books on the Civil War, albeit written from a Northern perspective, are still extremely readable and informative ...



Shelby Dade Foote, Jr. (1916-2005)


6. Foote, Shelby. Shiloh: A Novel. 1952. London: Pimlico, 1992.


7. Foote, Shelby. The Civil War: A Narrative. 1 – Fort Sumter to Perryville. 1958. London: Pimlico, 1993.


8. Foote, Shelby. The Civil War: A Narrative. 2 – Fredericksburg to Meridian. 1963. London: Pimlico, 1993.


9. Foote, Shelby. The Civil War: A Narrative. 3 – Red River to Appomattox. 1974. London: Pimlico, 1993.

   Foote corrects the Union bias of earlier historians: an unabashed Southerner, he achieves a kind of imaginative empathy with the principal protagonists in the drama which is unlikely ever to be repeated or surpassed. This is certainly the best history of the war to date. It is a military history above all, though - if you want political insights, then Foote still needs to be supplemented by various others.



Doris Kearns Goodwin (1943- )


10. Goodwin, Doris Kearns. Team of Rivals: The Political Genius of Abraham Lincoln. New York: Simon & Schuster, 2005.

    Asserting that Lincoln was a political genius is not exactly a controversial claim, but Goodwin does make a gripping narrative of his relations with the other members of his war cabinet.



Carl Sandburg (1878-1967)


11. Sandburg, Carl. Abraham Lincoln: The War Years. 4 vols. New York: Harcourt, Brace & Company, 1939.


12. Sandburg, Carl. Abraham Lincoln: The Prairie Years and The War Years. One-Volume Edition. 1926 & 1939. New York: Harcourt, Brace and Company, Inc., 1954.

    The four volume "War Years" is a terrifyingly detailed, virtually day-by-day account of Lincoln's tenure of the White House ... It's actually surprisingly readable if that kind of thing interests you, though. It does me.



Edmund Wilson (1895-1972)


13. Wilson, Edmund. Patriotic Gore: Studies in the Literature of the American Civil War. 1962. A Galaxy Book. New York: Oxford University Press, 1966.

    An indispensible companion to the nineteenth-century literature of the war - quite disjointed, and without a clear beginning or end (hence the contemporary comparisons to Plutarch, rather than Caesar or Thucydides), it still provides the best overview of these books a general reader could hope for ...

 
[Bruce Catton: The Army of the Potomac trilogy (1951-53)]

• 

 
[Shelby Foote (1990)]

Films & Photographs:

1. Burns, Ken. The Civil War, dir. Ken Burns, prod. Rick Burns, writ. Geoffrey C. Ward, narrated by David McCullough (USA, 1990). Complete 3-DVD set:
   
   1. 1861: The Cause (1989)
   2. 1862: A Very Bloody Affair (1989)
   3. 1862: Forever Free (1989)
   4. 1863: Simply Murder (1989)
   5. 1863: The Universe of Battle (1989)
   6. 1864: Valley of the Shadow of Death (1989)
   7. 1864: Most Hallowed Ground (1989)
   8. 1865: War is All Hell (1989)
   9. 1865: The Better Angels of Our Nature (1989)
   
   
2. Ward, Geoffrey C. The Civil War: An Illustrated History. Based on a Documentary Filmscript by Geoffrey C. Ward, Ric Burns, & Ken Burns. 1990. New York: Alfred A. Knopf, 1991.

   We might as well stop kidding ourselves: this is the source of most modern interest in the war. Ken Burns' documentaries do tend to have a rather formulaic air, and there is a bit of a pious tone to them, too, but it's still hard to see this one as anything short of a masterpiece. He did the job, once and for all, and did it well.



3. Davis, William C., & Bell I. Wiley, ed. The Civil War: The Compact Edition. Fort Sumter to Gettysburg. The Image of War, 1861-1865, 1: Shadows of the Storm / 2: The Guns of ’62 / 3: The Embattled Confederacy. 1981 & 1982. Introduction by William C. Davis. Civil War Times. New York: Black Dog & Leventhal Publishers, 1998.


4. Davis, William C., & Bell I. Wiley, ed. The Civil War: the Compact Edition. Vicksburg to Appomattox. The Image of War, 1861-1865, 4: Fighting for Time / 5: The South Besieged / 6: The End of an Era. 1982 & 1983. Introduction by William C. Davis. Civil War Times. New York: Black Dog & Leventhal Publishers, 1998.

   Nice modern collection of Civil War photographs. There are many such compilations: the iconography of the war is a considerable subject in itself. I do like the convenience of these volumes, though.

 
[Shelby Foote: The Civil War, vol. 1 (1958 / 1993)]

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